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Natalia Ginzburg and the Craft of Writing
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Eugenia Paulicelli
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Kapitel in diesem Buch
- Frontmatter i
- Contents v
- Editors’ Foreword vii
- Credits x
- Chronology xi
- Contributors xv
- Introduction 1
- An Interview with Natalia Ginzburg 10
- Natalia Ginzburg between Fiction and Memory: A Reading of Le voci della sera and Lessico famigliare 32
- Natalia Ginzburg’s Early Writings in L’ltalia libera 46
- Natalia Ginzburg: Making a Story Out of History 63
- The Personal Is Political: Gender, Generation, and Memory in Natalia Ginzburg’s Caro Michele 89
- Writing the Self: The Epistolary Novels of Natalia Ginzburg 99
- Sagittarius: A Psychoanalytic Reading 122
- Natalia Ginzburg and the Craft of Writing 153
- The Eloquence of Understatement: Natalia Ginzburg’s Public Image and Literary Style 179
- Feminism and the ‘Absurd’ in Two Plays by Natalia Ginzburg 197
- I nostri figli 226
- Chiarezza 230
- Cronaca di un paese 234
- The Wig 242
- Bibiliography 249
Kapitel in diesem Buch
- Frontmatter i
- Contents v
- Editors’ Foreword vii
- Credits x
- Chronology xi
- Contributors xv
- Introduction 1
- An Interview with Natalia Ginzburg 10
- Natalia Ginzburg between Fiction and Memory: A Reading of Le voci della sera and Lessico famigliare 32
- Natalia Ginzburg’s Early Writings in L’ltalia libera 46
- Natalia Ginzburg: Making a Story Out of History 63
- The Personal Is Political: Gender, Generation, and Memory in Natalia Ginzburg’s Caro Michele 89
- Writing the Self: The Epistolary Novels of Natalia Ginzburg 99
- Sagittarius: A Psychoanalytic Reading 122
- Natalia Ginzburg and the Craft of Writing 153
- The Eloquence of Understatement: Natalia Ginzburg’s Public Image and Literary Style 179
- Feminism and the ‘Absurd’ in Two Plays by Natalia Ginzburg 197
- I nostri figli 226
- Chiarezza 230
- Cronaca di un paese 234
- The Wig 242
- Bibiliography 249