University of Toronto Press
Dante, Cinema, and Television
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About this book
Dante, Cinema, and Television demonstrates the many subtle ways in which Dante's Divine Comedy has been given 'new life' by cinema and television, and underscores the tremendous extent of Dante's staying power in the modern world.
Author / Editor information
The late Amilcare Iannucci was a professor in the Department of Italian Studies and the Centre for Comparative Literature at the University of Toronto. He was the author of a book on Dante, Forma ed evento nella Divina Commedia, and editor of Dante Today.
Reviews
'This book proves that scholarship may go beyond the traditional boundaries, through non-traditional devices such as cinema and television. It, therefore, confirms that there are no boundaries in the search to a better understanding of Dante, a literary giant who, in his wildest dreams, could not possibly have thought of his work finding its way through this new venue of communication.'
Topics
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Frontmatter
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Contents
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Acknowledgments
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Introduction
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Dante and Hollywood
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Early Cinema, Dante's Inferno of 1911, and the Origins of Italian Film Culture
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The Helios-Psiche Dante Trilogy
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Back to the Future: Dante and the Languages of Post-war Italian Film
74 -
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Beginning to Think about Salò
97 -
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The Off-Screen Landscape: Dante's Ravenna and Antonioni's Red Desert
106 -
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Spencer Williams and Dante: An African-American Filmmaker at the Gates of Hell
129 -
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Television, Translation, and Vulgarization: Reflections on Phillips' and Greenaway's A TV Dante
145 -
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Dopo Tanto Veder: Pasolini's Dante after the Disappearance of the Fireflies
153 -
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'Non Senti Come Tutto Questo Ti Assomiglia?' Fellini's Infernal Circles
166 -
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Dante and Canadian Cinema
176 -
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Dante and Cinema: Film across a Chasm
189 -
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Dante by Heart and Dante Declaimed: The 'Realization' of the Comedy on Italian Radio and Television
213 -
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Notes on Contributors
225 -
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Index of Films
229 -
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Index of Names
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