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4. Character and Discourse from Pirandello to Fellini: Defining a Countertradition in an Italian Context
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Kapitel in diesem Buch
- Frontmatter i
- Contents vii
- Acknowledgments ix
- Introduction: Why Pirandello and the Cinema? 3
- 1. He Lost It at the Movies: A Love-Hate Relationship of Over Thirty Years 13
- 2. Pirandello and the Theory of the Cinema 30
- 3. The Origins of the Myths: From Pirandello to Fellini 82
- 4. Character and Discourse from Pirandello to Fellini: Defining a Countertradition in an Italian Context 120
- 5. Ettore Scola: A Cinematic and Social Metadiscourse 157
- 6. The New Italian Cinema: Restoration or Subversion? 198
- Notes 233
- Bibliography 269
- Index 291
Kapitel in diesem Buch
- Frontmatter i
- Contents vii
- Acknowledgments ix
- Introduction: Why Pirandello and the Cinema? 3
- 1. He Lost It at the Movies: A Love-Hate Relationship of Over Thirty Years 13
- 2. Pirandello and the Theory of the Cinema 30
- 3. The Origins of the Myths: From Pirandello to Fellini 82
- 4. Character and Discourse from Pirandello to Fellini: Defining a Countertradition in an Italian Context 120
- 5. Ettore Scola: A Cinematic and Social Metadiscourse 157
- 6. The New Italian Cinema: Restoration or Subversion? 198
- Notes 233
- Bibliography 269
- Index 291
