Introduction: Why Pirandello and the Cinema?

Startseite Kunst Introduction: Why Pirandello and the Cinema?

Kapitel

Lizenziert

Nicht lizenziert Erfordert eine Authentifizierung

Introduction: Why Pirandello and the Cinema?

Veröffentlicht von

Weitere Titel anzeigen von University of Toronto Press

Zur Verlagsseite

Ein Kapitel aus dem Buch Contemporary Italian Filmmaking

MLA
APA
Harvard
Chicago
Vancouver

MLA
APA
Harvard
Chicago
Vancouver

"Introduction: Why Pirandello and the Cinema?". Contemporary Italian Filmmaking: Strategies of Subversion: Pirandello, Fellini, Scola, and the Directors of the New Generation, Toronto: University of Toronto Press, 1995, pp. 3-12. https://doi.org/10.3138/9781442673359-002

(1995). Introduction: Why Pirandello and the Cinema?. In Contemporary Italian Filmmaking: Strategies of Subversion: Pirandello, Fellini, Scola, and the Directors of the New Generation (pp. 3-12). Toronto: University of Toronto Press. https://doi.org/10.3138/9781442673359-002

1995. Introduction: Why Pirandello and the Cinema?. Contemporary Italian Filmmaking: Strategies of Subversion: Pirandello, Fellini, Scola, and the Directors of the New Generation. Toronto: University of Toronto Press, pp. 3-12. https://doi.org/10.3138/9781442673359-002

"Introduction: Why Pirandello and the Cinema?" In Contemporary Italian Filmmaking: Strategies of Subversion: Pirandello, Fellini, Scola, and the Directors of the New Generation, 3-12. Toronto: University of Toronto Press, 1995. https://doi.org/10.3138/9781442673359-002

Introduction: Why Pirandello and the Cinema?. In: Contemporary Italian Filmmaking: Strategies of Subversion: Pirandello, Fellini, Scola, and the Directors of the New Generation. Toronto: University of Toronto Press; 1995. p.3-12. https://doi.org/10.3138/9781442673359-002

Kopie

In die Zwischenablage kopiert

BibTeX EndNote RIS

Sie haben derzeit keinen Zugang zu diesem Inhalt.

Kapitel in diesem Buch

Frontmatter i
Contents vii
Acknowledgments ix
Introduction: Why Pirandello and the Cinema? 3
1. He Lost It at the Movies: A Love-Hate Relationship of Over Thirty Years 13
2. Pirandello and the Theory of the Cinema 30
3. The Origins of the Myths: From Pirandello to Fellini 82
4. Character and Discourse from Pirandello to Fellini: Defining a Countertradition in an Italian Context 120
5. Ettore Scola: A Cinematic and Social Metadiscourse 157
6. The New Italian Cinema: Restoration or Subversion? 198
Notes 233
Bibliography 269
Index 291

Buch durchsuchen In diesem Buch suchen

https://doi.org/10.3138/9781442673359-002

Kapitel in diesem Buch

Frontmatter i
Contents vii
Acknowledgments ix
Introduction: Why Pirandello and the Cinema? 3
1. He Lost It at the Movies: A Love-Hate Relationship of Over Thirty Years 13
2. Pirandello and the Theory of the Cinema 30
3. The Origins of the Myths: From Pirandello to Fellini 82
4. Character and Discourse from Pirandello to Fellini: Defining a Countertradition in an Italian Context 120
5. Ettore Scola: A Cinematic and Social Metadiscourse 157
6. The New Italian Cinema: Restoration or Subversion? 198
Notes 233
Bibliography 269
Index 291

Introduction: Why Pirandello and the Cinema?

Kapitel PDF Ansicht

Kapitel in diesem Buch

Kapitel in diesem Buch

Kapitel in diesem Buch