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Chapters in this book
- Frontmatter i
- Edited by Daniel Fischlin vii
- List of Illustrations ix
- Acknowledgments xi
- Introduction: OuterSpeares: Shakespeare, Intermedia, and the Limits of Adaptation 1
-
Part One: “Strange Invention”: Shakespeare in the New Media
- YouTube Shakespeare, Appropriation, and Rhetorics of Invention 53
- “Is There an App for That?”: Mobile Shakespeare on the Phone and in the Cloud 75
-
Part Two: “These Violent Delights Have Violent Ends”: Shakespearean Adaptation and Film Intermedia
- Melted into Media: Reading Julie Taymor’s Film Adaptation of The Tempest in the Wake of 9/11 and the War on Terror 115
- Transgression and Transformation: Mickey B and the Dramaturgy of Adaptation: An Interview with Tom Magill 152
-
Part Three: “All the Uses of This World”: TV, Radio, Popular Music, Theatre, and the Uses of Intermedia
- Slings & Arrows: An Intermediated Shakespearean Adaptation 205
- Your Master’s Voice: The Shakespearean Narrator as Intermedial Authority on 1930s American Radio 230
- Sounding Shakespeare: Intermedial Adaptation and Popular Music 257
- “Playing the Race Bard”: How Shakespeare and Harlem Duet Sold (at) the 2006 Stratford Shakespeare Festival 290
-
Part Four: “Give No Limits to My Tongue … I Am Privileged to Speak”: The Limits of Adaptation?
- Patchwork Shakespeare: Community Events at the American Shakespeare Tercentenary (1916) 321
- Upcycling Shakespeare: Crafting Cultural Capital 347
- Beyond Adaptation 372
- Contributors 387
- Index 393
Chapters in this book
- Frontmatter i
- Edited by Daniel Fischlin vii
- List of Illustrations ix
- Acknowledgments xi
- Introduction: OuterSpeares: Shakespeare, Intermedia, and the Limits of Adaptation 1
-
Part One: “Strange Invention”: Shakespeare in the New Media
- YouTube Shakespeare, Appropriation, and Rhetorics of Invention 53
- “Is There an App for That?”: Mobile Shakespeare on the Phone and in the Cloud 75
-
Part Two: “These Violent Delights Have Violent Ends”: Shakespearean Adaptation and Film Intermedia
- Melted into Media: Reading Julie Taymor’s Film Adaptation of The Tempest in the Wake of 9/11 and the War on Terror 115
- Transgression and Transformation: Mickey B and the Dramaturgy of Adaptation: An Interview with Tom Magill 152
-
Part Three: “All the Uses of This World”: TV, Radio, Popular Music, Theatre, and the Uses of Intermedia
- Slings & Arrows: An Intermediated Shakespearean Adaptation 205
- Your Master’s Voice: The Shakespearean Narrator as Intermedial Authority on 1930s American Radio 230
- Sounding Shakespeare: Intermedial Adaptation and Popular Music 257
- “Playing the Race Bard”: How Shakespeare and Harlem Duet Sold (at) the 2006 Stratford Shakespeare Festival 290
-
Part Four: “Give No Limits to My Tongue … I Am Privileged to Speak”: The Limits of Adaptation?
- Patchwork Shakespeare: Community Events at the American Shakespeare Tercentenary (1916) 321
- Upcycling Shakespeare: Crafting Cultural Capital 347
- Beyond Adaptation 372
- Contributors 387
- Index 393