OuterSpeares
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Daniel Fischlin
About this book
OuterSpeares is the first book to examine the full spectrum of past and present adaptations, and one that offers a unique perspective on the transcultural and transdisciplinary aspects of Shakespeare in the contemporary world.
Author / Editor information
Daniel Fischlin is a University Research Chair in the School of English and Theatre Studies at the University of Guelph.
Reviews
‘OuterSpears enriches the remarkable tradition of Shakespeare scholarship in Canada…. The book is highly interdisciplinary in character, making it an important contribution to the study of Shakespeare, adaptation, media, and contemporary culture.’
Adam Hansen, Senior Lecturer in English Literature, Northumbria University:
“There are countless collections on Shakespeare’s appropriations in and by many media, but none with this intermedial approach and theoretical framework. OuterSpeares is a book well worth reading.”
Linda Hutcheon, University Professor of English and Comparative Literature, University of Toronto:
“Given the new technologies available (and coming), concepts of presence, virtuality, liveness, and even performance need to be considered anew when thinking about what constitutes an adaptation of a Shakespearean play. OuterSpeares goes a long way to filling this need, addressing it ably through its theoretical excursions and its wide range of case studies.”
Topics
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Frontmatter
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Edited by Daniel Fischlin
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List of Illustrations
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Acknowledgments
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Introduction: OuterSpeares: Shakespeare, Intermedia, and the Limits of Adaptation
1 - Part One: “Strange Invention”: Shakespeare in the New Media
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YouTube Shakespeare, Appropriation, and Rhetorics of Invention
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“Is There an App for That?”: Mobile Shakespeare on the Phone and in the Cloud
75 - Part Two: “These Violent Delights Have Violent Ends”: Shakespearean Adaptation and Film Intermedia
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Melted into Media: Reading Julie Taymor’s Film Adaptation of The Tempest in the Wake of 9/11 and the War on Terror
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Transgression and Transformation: Mickey B and the Dramaturgy of Adaptation: An Interview with Tom Magill
152 - Part Three: “All the Uses of This World”: TV, Radio, Popular Music, Theatre, and the Uses of Intermedia
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Slings & Arrows: An Intermediated Shakespearean Adaptation
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Your Master’s Voice: The Shakespearean Narrator as Intermedial Authority on 1930s American Radio
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Sounding Shakespeare: Intermedial Adaptation and Popular Music
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“Playing the Race Bard”: How Shakespeare and Harlem Duet Sold (at) the 2006 Stratford Shakespeare Festival
290 - Part Four: “Give No Limits to My Tongue … I Am Privileged to Speak”: The Limits of Adaptation?
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Patchwork Shakespeare: Community Events at the American Shakespeare Tercentenary (1916)
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Upcycling Shakespeare: Crafting Cultural Capital
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Beyond Adaptation
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Contributors
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Index
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