Sounding Shakespeare: Intermedial Adaptation and Popular Music

Chapters in this book

1. Frontmatter i
2. Edited by Daniel Fischlin vii
3. List of Illustrations ix
4. Acknowledgments xi
5. Introduction: OuterSpeares: Shakespeare, Intermedia, and the Limits of Adaptation 1
6. Part One: “Strange Invention”: Shakespeare in the New Media
7. YouTube Shakespeare, Appropriation, and Rhetorics of Invention 53
8. “Is There an App for That?”: Mobile Shakespeare on the Phone and in the Cloud 75
9. Part Two: “These Violent Delights Have Violent Ends”: Shakespearean Adaptation and Film Intermedia
10. Melted into Media: Reading Julie Taymor’s Film Adaptation of The Tempest in the Wake of 9/11 and the War on Terror 115
11. Transgression and Transformation: Mickey B and the Dramaturgy of Adaptation: An Interview with Tom Magill 152
12. Part Three: “All the Uses of This World”: TV, Radio, Popular Music, Theatre, and the Uses of Intermedia
13. Slings & Arrows: An Intermediated Shakespearean Adaptation 205
14. Your Master’s Voice: The Shakespearean Narrator as Intermedial Authority on 1930s American Radio 230
15. Sounding Shakespeare: Intermedial Adaptation and Popular Music 257
16. “Playing the Race Bard”: How Shakespeare and Harlem Duet Sold (at) the 2006 Stratford Shakespeare Festival 290
17. Part Four: “Give No Limits to My Tongue … I Am Privileged to Speak”: The Limits of Adaptation?
18. Patchwork Shakespeare: Community Events at the American Shakespeare Tercentenary (1916) 321
19. Upcycling Shakespeare: Crafting Cultural Capital 347
20. Beyond Adaptation 372
21. Contributors 387
22. Index 393