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Coda: The End of Shake-speares Sonnets
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Kapitel in diesem Buch
- Frontmatter i
- Contents vii
- Illustrations ix
- Acknowledgments xi
- A Note on the Text xiii
- Introduction 3
- 1. The “vnquiet state” of the Lover: Richard Tottel’s Lyric and Legal Reproductions 22
- 2. “Nedelesse Singularitie”: George Gascoigne’s Strategies for Preserving Lyric Delight 47
- 3. Solitude, Poetic Community, and Lyric Recording in Spenser’s Shepheardes Calender and Colin Clovts Come home againe 71
- 4. Lyric Surrogacy: Reproducing the “I” in Sidney’s Arcadia 108
- 5. “All Men Make Faults”: Begetting Error in Shake-speares Sonnets 129
- Coda: The End of Shake-speares Sonnets 169
- Notes 175
- Works Cited 207
- Index 225
Kapitel in diesem Buch
- Frontmatter i
- Contents vii
- Illustrations ix
- Acknowledgments xi
- A Note on the Text xiii
- Introduction 3
- 1. The “vnquiet state” of the Lover: Richard Tottel’s Lyric and Legal Reproductions 22
- 2. “Nedelesse Singularitie”: George Gascoigne’s Strategies for Preserving Lyric Delight 47
- 3. Solitude, Poetic Community, and Lyric Recording in Spenser’s Shepheardes Calender and Colin Clovts Come home againe 71
- 4. Lyric Surrogacy: Reproducing the “I” in Sidney’s Arcadia 108
- 5. “All Men Make Faults”: Begetting Error in Shake-speares Sonnets 129
- Coda: The End of Shake-speares Sonnets 169
- Notes 175
- Works Cited 207
- Index 225