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Nine. ‘Ripeness is All’: Sententiae and Common - places in King Lear
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Martha Andresen
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Chapters in this book
- Frontmatter i
- Contents v
- Preface vii
- One. King Lear and Its language 1
- Two. The Subplot as Simplification in King Lear 23
- Three. Theatrical Emblems in King Lear 39
- Four. Acting as Action in King Lear 59
- Five. We Put Fresh Garments on Him′: Nakedness and Clothes in King Lear 77
- Six. The Artist Exploring the Primitive: King Lear 89
- Seven. Recognition in King Lear 103
- Eight. The Energies of Endurance : Biblical Echo in King Lear 117
- Nine. ‘Ripeness is All’: Sententiae and Common - places in King Lear 145
- Ten. King Lear as Pastoral Tragedy 169
- Eleven. Reason and Need : King Lear and the ‘Crisis’ of the Aristocracy 185
- Twelve. Edgar: Once and Future King 221
- Afterword 239
- Contributors 241
Chapters in this book
- Frontmatter i
- Contents v
- Preface vii
- One. King Lear and Its language 1
- Two. The Subplot as Simplification in King Lear 23
- Three. Theatrical Emblems in King Lear 39
- Four. Acting as Action in King Lear 59
- Five. We Put Fresh Garments on Him′: Nakedness and Clothes in King Lear 77
- Six. The Artist Exploring the Primitive: King Lear 89
- Seven. Recognition in King Lear 103
- Eight. The Energies of Endurance : Biblical Echo in King Lear 117
- Nine. ‘Ripeness is All’: Sententiae and Common - places in King Lear 145
- Ten. King Lear as Pastoral Tragedy 169
- Eleven. Reason and Need : King Lear and the ‘Crisis’ of the Aristocracy 185
- Twelve. Edgar: Once and Future King 221
- Afterword 239
- Contributors 241
