Two. The Subplot as Simplification in King Lear

Bridget Gellert Lyon

Home Literary Studies Two. The Subplot as Simplification in King Lear

Chapter

Licensed

Unlicensed Requires Authentication

Two. The Subplot as Simplification in King Lear

Bridget Gellert Lyon

Published by

View more publications by University of Toronto Press

To Publisher Page

This chapter is in the book Some Facets of King Lear

MLA
APA
Harvard
Chicago
Vancouver

MLA
APA
Harvard
Chicago
Vancouver

Lyon, Bridget Gellert. "Two. The Subplot as Simplification in King Lear". Some Facets of King Lear: Essays in Prismatic Criticism, edited by Rosalie Colie and F.T. Flahiff, Toronto: University of Toronto Press, 1974, pp. 23-38. https://doi.org/10.3138/9781442652996-003

Lyon, B. (1974). Two. The Subplot as Simplification in King Lear. In R. Colie & F. Flahiff (Ed.), Some Facets of King Lear: Essays in Prismatic Criticism (pp. 23-38). Toronto: University of Toronto Press. https://doi.org/10.3138/9781442652996-003

Lyon, B. 1974. Two. The Subplot as Simplification in King Lear. In: Colie, R. and Flahiff, F. ed. Some Facets of King Lear: Essays in Prismatic Criticism. Toronto: University of Toronto Press, pp. 23-38. https://doi.org/10.3138/9781442652996-003

Lyon, Bridget Gellert. "Two. The Subplot as Simplification in King Lear" In Some Facets of King Lear: Essays in Prismatic Criticism edited by Rosalie Colie and F.T. Flahiff, 23-38. Toronto: University of Toronto Press, 1974. https://doi.org/10.3138/9781442652996-003

Lyon B. Two. The Subplot as Simplification in King Lear. In: Colie R, Flahiff F (ed.) Some Facets of King Lear: Essays in Prismatic Criticism. Toronto: University of Toronto Press; 1974. p.23-38. https://doi.org/10.3138/9781442652996-003

Copy

Copied to clipboard

BibTeX EndNote RIS

You are currently not able to access this content.

Chapters in this book

Frontmatter i
Contents v
Preface vii
One. King Lear and Its language 1
Two. The Subplot as Simplification in King Lear 23
Three. Theatrical Emblems in King Lear 39
Four. Acting as Action in King Lear 59
Five. We Put Fresh Garments on Him′: Nakedness and Clothes in King Lear 77
Six. The Artist Exploring the Primitive: King Lear 89
Seven. Recognition in King Lear 103
Eight. The Energies of Endurance : Biblical Echo in King Lear 117
Nine. ‘Ripeness is All’: Sententiae and Common - places in King Lear 145
Ten. King Lear as Pastoral Tragedy 169
Eleven. Reason and Need : King Lear and the ‘Crisis’ of the Aristocracy 185
Twelve. Edgar: Once and Future King 221
Afterword 239
Contributors 241

Search book Search the content of this book

https://doi.org/10.3138/9781442652996-003

Chapters in this book

Frontmatter i
Contents v
Preface vii
One. King Lear and Its language 1
Two. The Subplot as Simplification in King Lear 23
Three. Theatrical Emblems in King Lear 39
Four. Acting as Action in King Lear 59
Five. We Put Fresh Garments on Him′: Nakedness and Clothes in King Lear 77
Six. The Artist Exploring the Primitive: King Lear 89
Seven. Recognition in King Lear 103
Eight. The Energies of Endurance : Biblical Echo in King Lear 117
Nine. ‘Ripeness is All’: Sententiae and Common - places in King Lear 145
Ten. King Lear as Pastoral Tragedy 169
Eleven. Reason and Need : King Lear and the ‘Crisis’ of the Aristocracy 185
Twelve. Edgar: Once and Future King 221
Afterword 239
Contributors 241

Two. The Subplot as Simplification in King Lear

Chapter PDF View

Chapters in this book

Chapters in this book

Chapters in this book