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Physiologies of the Modern: Zola, Experimental Medicine, and the Naturalist Stage
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Chapters in this book
- Frontmatter i
- Contents v
- Introduction vii
- Modern Drama/Modernity’s Drama 3
- Aesthetic Prejudice in Modern Drama 15
- Why Modern Plays Are Not Culture: Disciplinary Blind Spots 29
- Quo Vadis? Theatre Studies at the Crossroads 48
- Physiologies of the Modern: Zola, Experimental Medicine, and the Naturalist Stage 67
- Making Sense of Sensation: Enlightenment, Embodiment, and the End(s) of Modern Drama 80
- Luminous Writing, Embodiment, and Modern Drama: Mme Blavatsky and Bertolt Brecht 102
- The Haunted Houses of Modernity 117
- Hauntings: Anxiety, Technology, and Gender in Peter Pan 128
- Bodies, Revolutions, and Magic: Cultural Nationalism and Racial Fetishism 144
- Modernism and Genocide: Citing Minstrelsy in Postcolonial Agitprop 162
- August Wilson, Doubling, Madness, and Modern African-American Drama 173
- Works Cited 193
- Works Cited 209
Chapters in this book
- Frontmatter i
- Contents v
- Introduction vii
- Modern Drama/Modernity’s Drama 3
- Aesthetic Prejudice in Modern Drama 15
- Why Modern Plays Are Not Culture: Disciplinary Blind Spots 29
- Quo Vadis? Theatre Studies at the Crossroads 48
- Physiologies of the Modern: Zola, Experimental Medicine, and the Naturalist Stage 67
- Making Sense of Sensation: Enlightenment, Embodiment, and the End(s) of Modern Drama 80
- Luminous Writing, Embodiment, and Modern Drama: Mme Blavatsky and Bertolt Brecht 102
- The Haunted Houses of Modernity 117
- Hauntings: Anxiety, Technology, and Gender in Peter Pan 128
- Bodies, Revolutions, and Magic: Cultural Nationalism and Racial Fetishism 144
- Modernism and Genocide: Citing Minstrelsy in Postcolonial Agitprop 162
- August Wilson, Doubling, Madness, and Modern African-American Drama 173
- Works Cited 193
- Works Cited 209