2. From Panoramas to Phantom Rides

Kapitel in diesem Buch

1. Frontmatter i
2. Contents v
3. Figures ix
4. Tables xi
5. Acknowledgements xiii
6. Introduction: The Birth of This Book . . . 1
7. 1. Mise-en-Scène 6
8. Part 1: From Static to Moving Images
9. 2. From Panoramas to Phantom Rides 37
10. 3. The Emotions of Motion 1: Travel, War and Unrest in the Era of the Moving Image 61
11. 4. The Emotions of Motion 2: War Propaganda, National Cinema and Travel 75
12. 5. Travel in the Era of Modern Warfare and Moving Images 90
13. Part 2: Travelling In, On and Through the Landscape: Voyeur or Flâneur?
14. 6. Badlands and Beauty: Landscape, Travel and Place in the Western 107
15. 7. Simply a Story? The Cultural Pervasiveness of the Western 125
16. 8. Travel and Transformation: Road Movies and Touristic Journeys 141
17. 9. Baddies in the Old and New Worlds: Bushrangers, Gangsters and Crime On Screen 158
18. Part 3: Imagining Places: Illusions and Dreams
19. 10. Creating Place 177
20. 11. Spaces and Places: Travelling for/to the Moving Image 197
21. 12. Conclusion: Manifestations of Tourism Through Film and Television: Making (Some) Meaning from Moving Images and Moving People 210
22. References 227
23. Index 238