Frontmatter

Richard Brent Turner

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Frontmatter

Richard Brent Turner

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Turner, Richard Brent. "Frontmatter". Soundtrack to a Movement: African American Islam, Jazz, and Black Internationalism, New York, USA: New York University Press, 2021, pp. i-vi. https://doi.org/10.18574/nyu/9781479871032.003.0011

Turner, R. (2021). Frontmatter. In Soundtrack to a Movement: African American Islam, Jazz, and Black Internationalism (pp. i-vi). New York, USA: New York University Press. https://doi.org/10.18574/nyu/9781479871032.003.0011

Turner, R. 2021. Frontmatter. Soundtrack to a Movement: African American Islam, Jazz, and Black Internationalism. New York, USA: New York University Press, pp. i-vi. https://doi.org/10.18574/nyu/9781479871032.003.0011

Turner, Richard Brent. "Frontmatter" In Soundtrack to a Movement: African American Islam, Jazz, and Black Internationalism, i-vi. New York, USA: New York University Press, 2021. https://doi.org/10.18574/nyu/9781479871032.003.0011

Turner R. Frontmatter. In: Soundtrack to a Movement: African American Islam, Jazz, and Black Internationalism. New York, USA: New York University Press; 2021. p.i-vi. https://doi.org/10.18574/nyu/9781479871032.003.0011

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Frontmatter i
Contents vii
Introduction: Jazz Brothers in Rhythm and Spirit 1
1. Islamic and Christian Influences in Jazz: Boston and New York during World War II 15
2. “Turn to Allah, Pray to the East”: Bebop and the Nation of Islam’s Mission to Blacks in Prison 71
3. The Faith of Universal Brotherhood: The Ahmadiyya Muslim Community’s Popularity among Bebop Musicians 99
4. Hard Bop, Free Jazz, and Islam: Black Liberation and Global Religious and Musical Consciousness in the Late 1950s and 1960s 125
Conclusion: Last Days and Times: Islam and Jazz in the Post- Coltrane Era 199
Acknowledgments 205
Notes 207
Index 239
About the Author 247

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https://doi.org/10.18574/nyu/9781479871032.003.0011

Kapitel in diesem Buch

Frontmatter i
Contents vii
Introduction: Jazz Brothers in Rhythm and Spirit 1
1. Islamic and Christian Influences in Jazz: Boston and New York during World War II 15
2. “Turn to Allah, Pray to the East”: Bebop and the Nation of Islam’s Mission to Blacks in Prison 71
3. The Faith of Universal Brotherhood: The Ahmadiyya Muslim Community’s Popularity among Bebop Musicians 99
4. Hard Bop, Free Jazz, and Islam: Black Liberation and Global Religious and Musical Consciousness in the Late 1950s and 1960s 125
Conclusion: Last Days and Times: Islam and Jazz in the Post- Coltrane Era 199
Acknowledgments 205
Notes 207
Index 239
About the Author 247

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