Skip to main content
Presented to you through Paradigm Publishing Services

University of California Press

Visit our Partner Page See all our books
Chapter
Licensed
Unlicensed Requires Authentication

2. Film Image / Electronic Image: The Construction of Abstraction, 1960– 1990

© 2019 University of California Press, Berkeley

© 2019 University of California Press, Berkeley

Chapters in this book

  1. Frontmatter i
  2. CONTENTS v
  3. ACKNOWLEDGMENTS ix
  4. FOREWORD xiii
  5. PREFACE: Abstract Video Art xvii
  6. 1. Introduction: On the Horizon 1
  7. PART ONE. TRANSMISSION
  8. 2. Film Image / Electronic Image: The Construction of Abstraction, 1960– 1990 19
  9. 3. Joseph Kosuth’s The Second Investigation in Vancouver (1969): Art on TV 29
  10. 4. Abstract Transmissions: Other Trajectories for Feminist Video 50
  11. 5. Abstract Video 66
  12. PART TWO. INTERFERENCE
  13. 6. Visual Music’s Influence on Contemporary Abstraction 81
  14. 7. Getting Messy: Chance and Glitch in Contemporary Video Art 98
  15. 8. Delirious Architectures: Notes on Jeremy Blake, Liquid Crystal Palace, and Digital Materialism 116
  16. 9. Abstract Video: net.video.abstraction 129
  17. 10. Interactive Abstractions: Between Embodied Exploration and Instrumental Control “Underneath Your Fingertips” 145
  18. PART THREE. RECEPTION
  19. 11. Real Time, Screen Time 163
  20. 12. The Spreadability of Video 176
  21. 13. Spectral Projections: Color, Race, and Abstraction in the Moving Image 192
  22. 14. Go with the (Unregulated) Flow: Fluidity, Abjection, and Abstraction 205
  23. 15. Sine Qua Son: Considering the Sine Wave Tone in Electronic Art 222
  24. MEDIOGRAPHY 237
  25. BIBLIOGRAPHY 251
  26. ILLUSTRATIONS 265
  27. CONTRIBUTORS 269
  28. INDEX 273
Abstract Video
This chapter is in the book Abstract Video
https://doi.org/10.1525/9780520958135-005

Chapters in this book

  1. Frontmatter i
  2. CONTENTS v
  3. ACKNOWLEDGMENTS ix
  4. FOREWORD xiii
  5. PREFACE: Abstract Video Art xvii
  6. 1. Introduction: On the Horizon 1
  7. PART ONE. TRANSMISSION
  8. 2. Film Image / Electronic Image: The Construction of Abstraction, 1960– 1990 19
  9. 3. Joseph Kosuth’s The Second Investigation in Vancouver (1969): Art on TV 29
  10. 4. Abstract Transmissions: Other Trajectories for Feminist Video 50
  11. 5. Abstract Video 66
  12. PART TWO. INTERFERENCE
  13. 6. Visual Music’s Influence on Contemporary Abstraction 81
  14. 7. Getting Messy: Chance and Glitch in Contemporary Video Art 98
  15. 8. Delirious Architectures: Notes on Jeremy Blake, Liquid Crystal Palace, and Digital Materialism 116
  16. 9. Abstract Video: net.video.abstraction 129
  17. 10. Interactive Abstractions: Between Embodied Exploration and Instrumental Control “Underneath Your Fingertips” 145
  18. PART THREE. RECEPTION
  19. 11. Real Time, Screen Time 163
  20. 12. The Spreadability of Video 176
  21. 13. Spectral Projections: Color, Race, and Abstraction in the Moving Image 192
  22. 14. Go with the (Unregulated) Flow: Fluidity, Abjection, and Abstraction 205
  23. 15. Sine Qua Son: Considering the Sine Wave Tone in Electronic Art 222
  24. MEDIOGRAPHY 237
  25. BIBLIOGRAPHY 251
  26. ILLUSTRATIONS 265
  27. CONTRIBUTORS 269
  28. INDEX 273
Downloaded on 5.5.2026 from https://www.degruyterbrill.com/document/doi/10.1525/9780520958135-005/html?lang=en
Scroll to top button