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ILLUSTRATIONS
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Chapters in this book
- Frontmatter i
- CONTENTS v
- ACKNOWLEDGMENTS ix
- FOREWORD xiii
- PREFACE: Abstract Video Art xvii
- 1. Introduction: On the Horizon 1
-
PART ONE. TRANSMISSION
- 2. Film Image / Electronic Image: The Construction of Abstraction, 1960– 1990 19
- 3. Joseph Kosuth’s The Second Investigation in Vancouver (1969): Art on TV 29
- 4. Abstract Transmissions: Other Trajectories for Feminist Video 50
- 5. Abstract Video 66
-
PART TWO. INTERFERENCE
- 6. Visual Music’s Influence on Contemporary Abstraction 81
- 7. Getting Messy: Chance and Glitch in Contemporary Video Art 98
- 8. Delirious Architectures: Notes on Jeremy Blake, Liquid Crystal Palace, and Digital Materialism 116
- 9. Abstract Video: net.video.abstraction 129
- 10. Interactive Abstractions: Between Embodied Exploration and Instrumental Control “Underneath Your Fingertips” 145
-
PART THREE. RECEPTION
- 11. Real Time, Screen Time 163
- 12. The Spreadability of Video 176
- 13. Spectral Projections: Color, Race, and Abstraction in the Moving Image 192
- 14. Go with the (Unregulated) Flow: Fluidity, Abjection, and Abstraction 205
- 15. Sine Qua Son: Considering the Sine Wave Tone in Electronic Art 222
- MEDIOGRAPHY 237
- BIBLIOGRAPHY 251
- ILLUSTRATIONS 265
- CONTRIBUTORS 269
- INDEX 273
Chapters in this book
- Frontmatter i
- CONTENTS v
- ACKNOWLEDGMENTS ix
- FOREWORD xiii
- PREFACE: Abstract Video Art xvii
- 1. Introduction: On the Horizon 1
-
PART ONE. TRANSMISSION
- 2. Film Image / Electronic Image: The Construction of Abstraction, 1960– 1990 19
- 3. Joseph Kosuth’s The Second Investigation in Vancouver (1969): Art on TV 29
- 4. Abstract Transmissions: Other Trajectories for Feminist Video 50
- 5. Abstract Video 66
-
PART TWO. INTERFERENCE
- 6. Visual Music’s Influence on Contemporary Abstraction 81
- 7. Getting Messy: Chance and Glitch in Contemporary Video Art 98
- 8. Delirious Architectures: Notes on Jeremy Blake, Liquid Crystal Palace, and Digital Materialism 116
- 9. Abstract Video: net.video.abstraction 129
- 10. Interactive Abstractions: Between Embodied Exploration and Instrumental Control “Underneath Your Fingertips” 145
-
PART THREE. RECEPTION
- 11. Real Time, Screen Time 163
- 12. The Spreadability of Video 176
- 13. Spectral Projections: Color, Race, and Abstraction in the Moving Image 192
- 14. Go with the (Unregulated) Flow: Fluidity, Abjection, and Abstraction 205
- 15. Sine Qua Son: Considering the Sine Wave Tone in Electronic Art 222
- MEDIOGRAPHY 237
- BIBLIOGRAPHY 251
- ILLUSTRATIONS 265
- CONTRIBUTORS 269
- INDEX 273