Kapitel
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Index Of Films Cited
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Kapitel in diesem Buch
- Frontmatter i
- Contents v
- Illustrations vii
- Introduction. Phonoplay: Recasting Film Music 1
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Part I. Musical Meaning
- 1. The Boy On The Train, Or Bad Symphonies And Good Movies: The Revealing Error Of The “Symphonic Score” 13
- 2. Representing Beethoven: Romance And Sonata Form In Simon Cellan Jones’S Eroica 27
- 3. Minima Romantica 48
- 4. Melodic Trains: Music In Polanski’S The Pianist 66
- 5. Mute Music: Polanski’S The Pianist And Campion’S The Piano 86
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Part II. Musical Agency
- 6. Opera, Aesthetic Violence, And The Imposition Of Modernity: Fitzcarraldo 99
- 7. Sight, Sound, And The Temporality Of Myth Making In Koyaanisqatsi 120
- 8. How Sound Floats On Land: The Suppression And Release Of Folk And Indigenous Musics In The Cinematic Terrain 136
- 9. Auteur Music 149
- 10. Transport And Transportation In Audiovisual Memory 163
- 11. The Fantastical Gap Between Diegetic And Nondiegetic 184
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Part III. Musical Identity
- 12. Early Film Themes: Roxy, Adorno, And The Problem Of Cultural Capital 205
- 13. Before Willie: Reconsidering Music And The Animated Cartoon Of The 1920s 225
- 14. Side By Side: Nino Rota, Music, And Film 246
- 15. White Face, Black Noise: Miles Davis And The Soundtrack 260
- 16. Men At The Keyboard: Liminal Spaces And The Heterotopian Function Of Music 277
- Notes On Contributors 293
- Works Cited 297
- Index Of Films Cited 311
- Index Of Names 317
Kapitel in diesem Buch
- Frontmatter i
- Contents v
- Illustrations vii
- Introduction. Phonoplay: Recasting Film Music 1
-
Part I. Musical Meaning
- 1. The Boy On The Train, Or Bad Symphonies And Good Movies: The Revealing Error Of The “Symphonic Score” 13
- 2. Representing Beethoven: Romance And Sonata Form In Simon Cellan Jones’S Eroica 27
- 3. Minima Romantica 48
- 4. Melodic Trains: Music In Polanski’S The Pianist 66
- 5. Mute Music: Polanski’S The Pianist And Campion’S The Piano 86
-
Part II. Musical Agency
- 6. Opera, Aesthetic Violence, And The Imposition Of Modernity: Fitzcarraldo 99
- 7. Sight, Sound, And The Temporality Of Myth Making In Koyaanisqatsi 120
- 8. How Sound Floats On Land: The Suppression And Release Of Folk And Indigenous Musics In The Cinematic Terrain 136
- 9. Auteur Music 149
- 10. Transport And Transportation In Audiovisual Memory 163
- 11. The Fantastical Gap Between Diegetic And Nondiegetic 184
-
Part III. Musical Identity
- 12. Early Film Themes: Roxy, Adorno, And The Problem Of Cultural Capital 205
- 13. Before Willie: Reconsidering Music And The Animated Cartoon Of The 1920s 225
- 14. Side By Side: Nino Rota, Music, And Film 246
- 15. White Face, Black Noise: Miles Davis And The Soundtrack 260
- 16. Men At The Keyboard: Liminal Spaces And The Heterotopian Function Of Music 277
- Notes On Contributors 293
- Works Cited 297
- Index Of Films Cited 311
- Index Of Names 317