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The Limitations of Television

© 2019 University of California Press, Berkeley

© 2019 University of California Press, Berkeley

Chapters in this book

  1. Frontmatter i
  2. Contents v
  3. Acknowledgments ix
  4. Introduction: The Hollywood Quarterly, 1945–1957 xi
  5. Editorial Statement 1
  6. 1. The Avant-Garde
  7. Experimental Cinema in America. Part One: 1921–1941 5
  8. Experimental Cinema in America. Part Two: The Postwar Revival 28
  9. The Avant-Garde Film Seen from Within 51
  10. Cinema 16: A Showcase for the Nonfiction Film 57
  11. 2. Animation
  12. Animation Learns a New Language 63
  13. Music and the Animated Cartoon 69
  14. Notes on Animated Sound 77
  15. Mr. Magoo as Public Dream 84
  16. 3. Documentary
  17. Postwar Patterns 91
  18. The Documentary and Hollywood 100
  19. Time Flickers Out: Notes on the Passing of the March of Time 109
  20. 4. Radio
  21. The Case of David Smith 119
  22. Radio’s Attraction for Housewives 139
  23. A New Kind of Diplomacy 152
  24. 5. Practice
  25. A Costume Problem: From Shop to Stage to Screen 161
  26. Performance under Pressure 166
  27. Designing The Heiress 180
  28. The Limitations of Television 186
  29. 6. Television
  30. Hollywood in the Television Age 199
  31. You and Television 205
  32. Children’s Television Habits and Preferences 209
  33. How to Look at Television 222
  34. 7. The Hollywood Picture
  35. Why Wait for Posterity? 243
  36. Hollywood–Illusion and Reality 253
  37. Negro Stereotypes on the Screen 256
  38. Today’s Hero: A Review 259
  39. An Exhibitor Begs for “B’s” 263
  40. A Word of Caution for the Intelligent Consumer of Motion Pictures 271
  41. There’s Really No Business Like Show Business 283
  42. There’s Still No Business Like It 293
  43. Hollywood’s Foreign Correspondents 300
  44. 8. Scenes from Abroad
  45. Advanced Training for Film Workers: Russia 311
  46. Advanced Training for Film Workers: France 322
  47. The Global Film 327
  48. The Postwar French Cinema 334
  49. When in Rome . . . 345
  50. 9. Notes and Communications
  51. J’Accuse 357
  52. Je Confirme 360
  53. The Cinémathèque Française 362
  54. Jean Vigo 366
  55. Two Views of a Director–Billy Wilder 370
  56. Dialogue Between the Moviegoing Public and a Witness for Jean Cocteau 381
  57. Selected Names Index 387
  58. Selected Titles Index 391
Hollywood Quarterly
This chapter is in the book Hollywood Quarterly
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