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Music and the Animated Cartoon
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Chapters in this book
- Frontmatter i
- Contents v
- Acknowledgments ix
- Introduction: The Hollywood Quarterly, 1945–1957 xi
- Editorial Statement 1
-
1. The Avant-Garde
- Experimental Cinema in America. Part One: 1921–1941 5
- Experimental Cinema in America. Part Two: The Postwar Revival 28
- The Avant-Garde Film Seen from Within 51
- Cinema 16: A Showcase for the Nonfiction Film 57
-
2. Animation
- Animation Learns a New Language 63
- Music and the Animated Cartoon 69
- Notes on Animated Sound 77
- Mr. Magoo as Public Dream 84
-
3. Documentary
- Postwar Patterns 91
- The Documentary and Hollywood 100
- Time Flickers Out: Notes on the Passing of the March of Time 109
-
4. Radio
- The Case of David Smith 119
- Radio’s Attraction for Housewives 139
- A New Kind of Diplomacy 152
-
5. Practice
- A Costume Problem: From Shop to Stage to Screen 161
- Performance under Pressure 166
- Designing The Heiress 180
- The Limitations of Television 186
-
6. Television
- Hollywood in the Television Age 199
- You and Television 205
- Children’s Television Habits and Preferences 209
- How to Look at Television 222
-
7. The Hollywood Picture
- Why Wait for Posterity? 243
- Hollywood–Illusion and Reality 253
- Negro Stereotypes on the Screen 256
- Today’s Hero: A Review 259
- An Exhibitor Begs for “B’s” 263
- A Word of Caution for the Intelligent Consumer of Motion Pictures 271
- There’s Really No Business Like Show Business 283
- There’s Still No Business Like It 293
- Hollywood’s Foreign Correspondents 300
-
8. Scenes from Abroad
- Advanced Training for Film Workers: Russia 311
- Advanced Training for Film Workers: France 322
- The Global Film 327
- The Postwar French Cinema 334
- When in Rome . . . 345
-
9. Notes and Communications
- J’Accuse 357
- Je Confirme 360
- The Cinémathèque Française 362
- Jean Vigo 366
- Two Views of a Director–Billy Wilder 370
- Dialogue Between the Moviegoing Public and a Witness for Jean Cocteau 381
- Selected Names Index 387
- Selected Titles Index 391
Chapters in this book
- Frontmatter i
- Contents v
- Acknowledgments ix
- Introduction: The Hollywood Quarterly, 1945–1957 xi
- Editorial Statement 1
-
1. The Avant-Garde
- Experimental Cinema in America. Part One: 1921–1941 5
- Experimental Cinema in America. Part Two: The Postwar Revival 28
- The Avant-Garde Film Seen from Within 51
- Cinema 16: A Showcase for the Nonfiction Film 57
-
2. Animation
- Animation Learns a New Language 63
- Music and the Animated Cartoon 69
- Notes on Animated Sound 77
- Mr. Magoo as Public Dream 84
-
3. Documentary
- Postwar Patterns 91
- The Documentary and Hollywood 100
- Time Flickers Out: Notes on the Passing of the March of Time 109
-
4. Radio
- The Case of David Smith 119
- Radio’s Attraction for Housewives 139
- A New Kind of Diplomacy 152
-
5. Practice
- A Costume Problem: From Shop to Stage to Screen 161
- Performance under Pressure 166
- Designing The Heiress 180
- The Limitations of Television 186
-
6. Television
- Hollywood in the Television Age 199
- You and Television 205
- Children’s Television Habits and Preferences 209
- How to Look at Television 222
-
7. The Hollywood Picture
- Why Wait for Posterity? 243
- Hollywood–Illusion and Reality 253
- Negro Stereotypes on the Screen 256
- Today’s Hero: A Review 259
- An Exhibitor Begs for “B’s” 263
- A Word of Caution for the Intelligent Consumer of Motion Pictures 271
- There’s Really No Business Like Show Business 283
- There’s Still No Business Like It 293
- Hollywood’s Foreign Correspondents 300
-
8. Scenes from Abroad
- Advanced Training for Film Workers: Russia 311
- Advanced Training for Film Workers: France 322
- The Global Film 327
- The Postwar French Cinema 334
- When in Rome . . . 345
-
9. Notes and Communications
- J’Accuse 357
- Je Confirme 360
- The Cinémathèque Française 362
- Jean Vigo 366
- Two Views of a Director–Billy Wilder 370
- Dialogue Between the Moviegoing Public and a Witness for Jean Cocteau 381
- Selected Names Index 387
- Selected Titles Index 391