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5. Experimental Oriental: New Music and Other Others
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John Corbett
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Chapters in this book
- Frontmatter I
- Contents VII
- Acknowledgments IX
- Introduction: On Difference, Representation, and Appropriation in Music 1
- 1. Musical Belongings: Western Music and Its Low-Other 59
- 2. Race, Orientalism, and Distinction in the Wake of the "Yellow Peril" 86
- 3. Bartók, the Gypsies, and Hybridity in Music 119
- 4. Modernism, Deception, and Musical Others: Los Angeles circa 1940 143
- 5. Experimental Oriental: New Music and Other Others 163
- 6. Composing the Cantorate: Westernizing Europe's Other Within 187
- 7. East, West, and Arabesk 213
- 8. Scoring the Indian: Music in the Liberal Western 234
- 9. The Poetics and Politics of Pygmy Pop 254
- 10. International Times: Fusions, Exoticism, and Antiracism in Electronic Dance Music 280
- 11. The Discourse of World Music 305
- Contributors 323
- Index 327
Chapters in this book
- Frontmatter I
- Contents VII
- Acknowledgments IX
- Introduction: On Difference, Representation, and Appropriation in Music 1
- 1. Musical Belongings: Western Music and Its Low-Other 59
- 2. Race, Orientalism, and Distinction in the Wake of the "Yellow Peril" 86
- 3. Bartók, the Gypsies, and Hybridity in Music 119
- 4. Modernism, Deception, and Musical Others: Los Angeles circa 1940 143
- 5. Experimental Oriental: New Music and Other Others 163
- 6. Composing the Cantorate: Westernizing Europe's Other Within 187
- 7. East, West, and Arabesk 213
- 8. Scoring the Indian: Music in the Liberal Western 234
- 9. The Poetics and Politics of Pygmy Pop 254
- 10. International Times: Fusions, Exoticism, and Antiracism in Electronic Dance Music 280
- 11. The Discourse of World Music 305
- Contributors 323
- Index 327