4. Modernism, Deception, and Musical Others: Los Angeles circa 1940

Chapters in this book

1. Frontmatter I
2. Contents VII
3. Acknowledgments IX
4. Introduction: On Difference, Representation, and Appropriation in Music 1
5. 1. Musical Belongings: Western Music and Its Low-Other 59
6. 2. Race, Orientalism, and Distinction in the Wake of the "Yellow Peril" 86
7. 3. Bartók, the Gypsies, and Hybridity in Music 119
8. 4. Modernism, Deception, and Musical Others: Los Angeles circa 1940 143
9. 5. Experimental Oriental: New Music and Other Others 163
10. 6. Composing the Cantorate: Westernizing Europe's Other Within 187
11. 7. East, West, and Arabesk 213
12. 8. Scoring the Indian: Music in the Liberal Western 234
13. 9. The Poetics and Politics of Pygmy Pop 254
14. 10. International Times: Fusions, Exoticism, and Antiracism in Electronic Dance Music 280
15. 11. The Discourse of World Music 305
16. Contributors 323
17. Index 327