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4. The Screen as Display Window: Constructing the "New Woman" / 87 The "New Woman" as a Consumer
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Sumiko Higashi
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Kapitel in diesem Buch
- Frontmatter I
- CONTENTS VII
- ILLUSTRATIONS IX
- ACKNOWLEDGMENTS XI
- Introduction 1
- 1. The Lasky Company and Highbrow Culture: Authorship versus Intertextuality 7
- 2. SelLTheatricalization in Victorian Pictorial Dramaturgy: What's His Name 34
- 3. The Lower East Side as Spectacle: Class and Ethnicity in the Urban Landscape 59
- 4. The Screen as Display Window: Constructing the "New Woman" / 87 The "New Woman" as a Consumer 87
- 5. The Historical Epic and Progressive Era Civic Pageantry: Joan the. Woman 117
- 6. Set. and Costume Design as Spectacle in a Consume r Culture: The Early Jazz Age Films 142
- 7. DeMille's Exodus from Famous Players-Lasky: The Ten Commandments (1923) 179
- FILMOGRAPHY 205
- NOTES 209
- INDEX 253
Kapitel in diesem Buch
- Frontmatter I
- CONTENTS VII
- ILLUSTRATIONS IX
- ACKNOWLEDGMENTS XI
- Introduction 1
- 1. The Lasky Company and Highbrow Culture: Authorship versus Intertextuality 7
- 2. SelLTheatricalization in Victorian Pictorial Dramaturgy: What's His Name 34
- 3. The Lower East Side as Spectacle: Class and Ethnicity in the Urban Landscape 59
- 4. The Screen as Display Window: Constructing the "New Woman" / 87 The "New Woman" as a Consumer 87
- 5. The Historical Epic and Progressive Era Civic Pageantry: Joan the. Woman 117
- 6. Set. and Costume Design as Spectacle in a Consume r Culture: The Early Jazz Age Films 142
- 7. DeMille's Exodus from Famous Players-Lasky: The Ten Commandments (1923) 179
- FILMOGRAPHY 205
- NOTES 209
- INDEX 253
