Kapitel in diesem Buch

1. Frontmatter i
2. Contents vii
3. Acknowledgments ix
4. Introduction 1
5. 1 / Ambivalent Modernism: Perspectives from the 1870s and 1880s 7
6. 2 / German Naturalism 36
7. 3 / Convergences: Music and the Visual Arts 88
8. 4 / Bach, Regeneration, and Historicist Modernism 138
9. 5 / Ironic Germans 186
10. 6 / “Dancing in Chains”: Strauss, Hofmannsthal, Pfitzner, and Their Musical Pasts 214
11. Notes 257
12. Bibliography 293
13. Index 309