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Introduction

Building and Analyzing Movie Magazine Networks
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© 2025 University of California Press, Berkeley

© 2025 University of California Press, Berkeley

Chapters in this book

  1. Frontmatter i
  2. Contents ix
  3. List of Figures and Tables xii
  4. Acknowledgments xv
  5. Introduction 1
  6. Section ONE Hybrid Journals
  7. 1 From Paris to the World 23
  8. 2 Filmindia and Its Publics 37
  9. 3 The Popular Media Boom and Cultural Politics in South Korea (1956–1971) 57
  10. 4 Compilation, Collage, and Film Publishing in 1950s–1960s Iran 71
  11. 5 Syndicated Sunday Movie Sections 86
  12. 6 Cine-News, Paper Cinema, and Film Periodicals as Intermedial Encounters 107
  13. Section TWO Film Cultures, Critics, and Circuits
  14. 7 Latin American Cine Club Magazines 129
  15. 8 Hands-On Cinema 145
  16. 9 Cinéma and the Vitality of Mid-century French Film Culture 163
  17. 10 African Film Criticism in the Colonial Capital, 1957–1967 184
  18. 11 Japan’s Post-1968: Kikan firumu, Shinema 69, and Eiga hihyō 202
  19. 12 Film Appreciation 219
  20. Section THREE Intermediaries of State, Region, and Media
  21. 13. Kino: The Cinema Weekly of Stalin’s Times 233
  22. 14 Cine-Mundial 248
  23. 15 Radiolandia, Fan Magazines, and Stardom in 1930s and 1940s Argentina 262
  24. 16 The Illustrated Popular Film Magazine Neue Filmwelt (1947–1953) 277
  25. Section FOUR Data, Curation, and Historiography
  26. 17. Chronicling a National History: Hye Bossin’s Canadian Film Weekly and Year Book 299
  27. 18 Cinema Theaters from Within 316
  28. 19 Searching for Similarity 330
  29. 20 Provenance of Early Chinese Movie Publications 347
  30. Appendix 369
  31. Contributor Bios 377
  32. INDEX 381
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Global Movie Magazine Networks
This chapter is in the book Global Movie Magazine Networks
https://doi.org/10.1525/9780520402775-003

Chapters in this book

  1. Frontmatter i
  2. Contents ix
  3. List of Figures and Tables xii
  4. Acknowledgments xv
  5. Introduction 1
  6. Section ONE Hybrid Journals
  7. 1 From Paris to the World 23
  8. 2 Filmindia and Its Publics 37
  9. 3 The Popular Media Boom and Cultural Politics in South Korea (1956–1971) 57
  10. 4 Compilation, Collage, and Film Publishing in 1950s–1960s Iran 71
  11. 5 Syndicated Sunday Movie Sections 86
  12. 6 Cine-News, Paper Cinema, and Film Periodicals as Intermedial Encounters 107
  13. Section TWO Film Cultures, Critics, and Circuits
  14. 7 Latin American Cine Club Magazines 129
  15. 8 Hands-On Cinema 145
  16. 9 Cinéma and the Vitality of Mid-century French Film Culture 163
  17. 10 African Film Criticism in the Colonial Capital, 1957–1967 184
  18. 11 Japan’s Post-1968: Kikan firumu, Shinema 69, and Eiga hihyō 202
  19. 12 Film Appreciation 219
  20. Section THREE Intermediaries of State, Region, and Media
  21. 13. Kino: The Cinema Weekly of Stalin’s Times 233
  22. 14 Cine-Mundial 248
  23. 15 Radiolandia, Fan Magazines, and Stardom in 1930s and 1940s Argentina 262
  24. 16 The Illustrated Popular Film Magazine Neue Filmwelt (1947–1953) 277
  25. Section FOUR Data, Curation, and Historiography
  26. 17. Chronicling a National History: Hye Bossin’s Canadian Film Weekly and Year Book 299
  27. 18 Cinema Theaters from Within 316
  28. 19 Searching for Similarity 330
  29. 20 Provenance of Early Chinese Movie Publications 347
  30. Appendix 369
  31. Contributor Bios 377
  32. INDEX 381
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