Chapters in this book

1. Frontmatter i
2. Contents ix
3. List of Figures and Tables xii
4. Acknowledgments xv
5. Introduction 1
6. Section ONE Hybrid Journals
7. 1 From Paris to the World 23
8. 2 Filmindia and Its Publics 37
9. 3 The Popular Media Boom and Cultural Politics in South Korea (1956–1971) 57
10. 4 Compilation, Collage, and Film Publishing in 1950s–1960s Iran 71
11. 5 Syndicated Sunday Movie Sections 86
12. 6 Cine-News, Paper Cinema, and Film Periodicals as Intermedial Encounters 107
13. Section TWO Film Cultures, Critics, and Circuits
14. 7 Latin American Cine Club Magazines 129
15. 8 Hands-On Cinema 145
16. 9 Cinéma and the Vitality of Mid-century French Film Culture 163
17. 10 African Film Criticism in the Colonial Capital, 1957–1967 184
18. 11 Japan’s Post-1968: Kikan firumu, Shinema 69, and Eiga hihyō 202
19. 12 Film Appreciation 219
20. Section THREE Intermediaries of State, Region, and Media
21. 13. Kino: The Cinema Weekly of Stalin’s Times 233
22. 14 Cine-Mundial 248
23. 15 Radiolandia, Fan Magazines, and Stardom in 1930s and 1940s Argentina 262
24. 16 The Illustrated Popular Film Magazine Neue Filmwelt (1947–1953) 277
25. Section FOUR Data, Curation, and Historiography
26. 17. Chronicling a National History: Hye Bossin’s Canadian Film Weekly and Year Book 299
27. 18 Cinema Theaters from Within 316
28. 19 Searching for Similarity 330
29. 20 Provenance of Early Chinese Movie Publications 347
30. Appendix 369
31. Contributor Bios 377
32. INDEX 381