13. Democratizing the Agon: Nietzsche, Arendt, and the Agonistic Tendency in Recent Political Theory

Kapitel in diesem Buch

1. Frontmatter I
2. Introduction V
3. Contents VII
4. Acknowledgments XI
5. Abbreviations XIII
6. Introduction: Why Nietzsche Still? 1
7. PART ONE. DRAMA
8. 1. Oedipal Dramas 15
9. 2. Odysseus Bound? 28
10. 3. Nietzsche's Shakespearean Figures 45
11. 4. Musical Psychodramatics: Ecstasis in Nietzsche 66
12. 5. "This Is Not a Christ": Nietzsche, Foucault, and the Genealogy of Vision 79
13. 6. Zarathustrian Millennialism before the Millennium: From Bely to Yeats to Malraux 99
14. PART TWO. CULTURAL DRAMATICS
15. 7. Circuits of Bad Conscience: Nietzsche and Freud 121
16. 8. Dramatis Personae: Nietzsche, Culture, and Human Types 136
17. 9. Satyrs and Centaurs: Miscegenation and the Master Race 154
18. 10. Nietzsche and the Problem of the Actor 170
19. 11. Nietzsche's Contest: Nietzsche and the Culture Wars 184
20. PART THREE. CULTURE AND THE POLITICAL
21. 12. Nietzsche for Politics 205
22. 13. Democratizing the Agon: Nietzsche, Arendt, and the Agonistic Tendency in Recent Political Theory 224
23. 14. "A Nietzschean Breed": Feminism, Victimology, Ressentiment 247
24. 15. Performing Resentment: White Male Anger; or, "Lack" and Nietzschean Political Theory 274
25. Contributors 293
26. Index 297