Kapitel in diesem Buch

1. Frontmatter i
2. CONTENTS vii
3. PREFACE AND ACKNOWLEDGMENTS xiii
4. INTRODUCTION 1
5. RUSSIAN CRITICISM BEFORE THE REVOLUTION 1890s–1917
6. I FACING EUROPE: IMPRESSIONS, CONTACTS, AND CRITICISMS 27
7. II WESTERN INFLUENCES: SYMBOLISM, IMPRESSIONISM, POST-IMPRESSIONISM, AND THE GOLDEN FLEECE EXHIBITIONS 55
8. III MATISSE, PICASSO, AND THE SHCHUKIN AND MOROZOV COLLECTIONS 77
9. IV CUBISM AND FUTURISM 127
10. V ART AND NATIONALITY: POLEMICS AND REACTIONS 167
11. RUSSIAN AND SOVIET CRITICISM AFTER THE REVOLUTION
12. VI THE INTERNATIONAL OF ART AND THE GREAT UTOPIA 189
13. VII NEW VISIONS OF WESTERN ART 215
14. VIII EXPRESSIONISM AND GEORGE GROSZ 239
15. IX CREATING A MODEL FOR REVOLUTIONARY ART 257
16. X CHANGING VIEWS OF WESTERN ART 275
17. XI THE END OF AN ERA 305
18. CHRONOLOGY 311
19. ACRONYMS 323
20. SELECTED BIBLIOGRAPHY 325
21. ILLUSTRATIONS 331
22. INDEX 333