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8. THE POET AS SEER BASHŌ LOOKS BACK
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William R. LaFleur
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Kapitel in diesem Buch
- Frontmatter I
- CONTENTS VII
- PREFACE IX
- MAJOR ERAS OF JAPANESE HISTORY XVI
- 1. “FLOATING PHRASES AND FICTIVE UTTERANCES”: THE RISE AND FALL OF SYMBOLS 1
- 2. IN AND OUT THE ROKUDŌ: KYŌKAI AND THE FORMATION OF MEDIEVAL JAPAN 26
- 3. INNS AND HERMITAGES: THE STRUCTURE OF IMPERMANENCE 60
- 4. SYMBOL AND YŪGEN: SHUNZEI’S USE OF TENDAI BUDDHISM 80
- 5. CHŌMEI AS HERMIT: VIMALAKĪRTI IN THE “HŌJŌ-KI” 107
- 6. ZEAMI’S BUDDHISM: COSMOLOGY AND DIALECTIC IN NO DRAMA 116
- 7. SOCIETY UPSIDE-DOWN: KYŌGEN AS SATIRE AND AS RITUAL 133
- 8. THE POET AS SEER BASHŌ LOOKS BACK 149
- NOTES 165
- JAPANESE NAMES AND TERMS 183
- BIBLIOGRAPHY 187
- INDEX 197
Kapitel in diesem Buch
- Frontmatter I
- CONTENTS VII
- PREFACE IX
- MAJOR ERAS OF JAPANESE HISTORY XVI
- 1. “FLOATING PHRASES AND FICTIVE UTTERANCES”: THE RISE AND FALL OF SYMBOLS 1
- 2. IN AND OUT THE ROKUDŌ: KYŌKAI AND THE FORMATION OF MEDIEVAL JAPAN 26
- 3. INNS AND HERMITAGES: THE STRUCTURE OF IMPERMANENCE 60
- 4. SYMBOL AND YŪGEN: SHUNZEI’S USE OF TENDAI BUDDHISM 80
- 5. CHŌMEI AS HERMIT: VIMALAKĪRTI IN THE “HŌJŌ-KI” 107
- 6. ZEAMI’S BUDDHISM: COSMOLOGY AND DIALECTIC IN NO DRAMA 116
- 7. SOCIETY UPSIDE-DOWN: KYŌGEN AS SATIRE AND AS RITUAL 133
- 8. THE POET AS SEER BASHŌ LOOKS BACK 149
- NOTES 165
- JAPANESE NAMES AND TERMS 183
- BIBLIOGRAPHY 187
- INDEX 197
