God′s Body: Epistemic and Ritual Conceptions from Sanskrit Texts of Logic
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Gérard Colas
Abstract
Discussions on the nature of the relationship between a god, his body and his material representation are almost non-existent in the Hindu devotional perspective, where such concerns are superfluous. Hindu theological and ritual Sanskrit texts, on the other hand, applied procedures of reasoning with regard to that relationship. This rationalization however accommodated rather than conflicted with the devotional attitude. Their attempt to clarify their stand vis-à-vis god′s body and material image followed from ideological or technical requirements. This was done sometimes systematically, as in the Viśiṣṭādvaita school of philosophy where the ritual image is declared to be a divine descent (of God) for the purpose of worship; sometimes incidentally, as in ritual manuals, where the process of changing statues into divine bodies is described.
But why should gods have a body at all? While some contend that they do not possess any body, others assert that they possess several at the same time, yet others infer the necessity of a body for God to create the universe, to reveal sacred texts, etc. These are some arguments and counter-arguments found in theological texts. The nature of the hierarchy between divine descents and images (which may or may not be considered as real bodies of gods) is another aspect of the discussion.
Another question is the various ways in which ritual texts consider the relation between a god and his image. While immediacy characterizes the relation between the devotee and the image of god, the relation between ritual and image is far from being spontaneous. Rituals insure the presence of a god in an image through a technico-mystical process consisting of successive stages and involving patrons, astrologers, artists, priests and others. The final product, namely a concrete god-cum-image, is fit for devotion, but remains for ever fragile, dependent on the continuity of rites and on the material preservation of the image. Behind the ritual perspective also lies the notion that this process of creating a body for a god is in keeping with natural laws. Hindu ritual prescriptions are applicable only to the religious images which, though man-made, are considered as natural. Supra-natural divine images, known as self-manifested images, must be worshiped, but are beyond the range of these prescriptions.
© by Akademie Verlag, Berlin, Germany
Artikel in diesem Heft
- Rethinking the Body: An Introduction
- A Hindu to His Body: The Reinscription of Traditional Representations
- The Skin and the Self: A Note on the Limits of the Body in Brahmanic India
- God′s Body: Epistemic and Ritual Conceptions from Sanskrit Texts of Logic
- Yogic Rays: The Self-Externalization of the Yogi in Ritual, Narrative and Philosophy
- Body, Breath and Representation in Śaiva Tantrism
- Telling Bodies
- The Indian Body and Unani Medicine: Body History as Entangled History
- Open Bodies
- Untouchable Bodies of Knowledge in the Spirit Possession of Malabar
- Performing God′s Body
- Bodies Filled with Divine Energy: The Indian Dance Odissi
- Ritual Competence as Embodied Knowledge
- Human Body, Folk Narratives and Rituals
- Translating the Body Into Image. The Body Politic and Visual Practice at the Mughal Court During the Sixteenth and Seventeenth Centuries
- The Multiple Bodies of the Bride: Ritualising 'World Class′ at Elite Weddings in Urban India
- The Politics of the Sensuous and the Sacred Body in India
- Lost in Transition? Managing paradoxical situations by inventing identities
Artikel in diesem Heft
- Rethinking the Body: An Introduction
- A Hindu to His Body: The Reinscription of Traditional Representations
- The Skin and the Self: A Note on the Limits of the Body in Brahmanic India
- God′s Body: Epistemic and Ritual Conceptions from Sanskrit Texts of Logic
- Yogic Rays: The Self-Externalization of the Yogi in Ritual, Narrative and Philosophy
- Body, Breath and Representation in Śaiva Tantrism
- Telling Bodies
- The Indian Body and Unani Medicine: Body History as Entangled History
- Open Bodies
- Untouchable Bodies of Knowledge in the Spirit Possession of Malabar
- Performing God′s Body
- Bodies Filled with Divine Energy: The Indian Dance Odissi
- Ritual Competence as Embodied Knowledge
- Human Body, Folk Narratives and Rituals
- Translating the Body Into Image. The Body Politic and Visual Practice at the Mughal Court During the Sixteenth and Seventeenth Centuries
- The Multiple Bodies of the Bride: Ritualising 'World Class′ at Elite Weddings in Urban India
- The Politics of the Sensuous and the Sacred Body in India
- Lost in Transition? Managing paradoxical situations by inventing identities