Abstract
The contemporary children’s robinsonade exemplifies an amalgamation of several centuries worth of intertexts, visible not only in the texts themselves but also in their audiences. In addition to adapting narrative elements, such as the shipwreck or the encounter with Friday, the narrative intent of didacticism spans over centuries, emulating ideologies of eighteenth-, nineteenth-, or twenty-first-century cultures. By utilising adaptation theory, it is possible to consider the Crusoe story as an interpretively doubled narrative of didacticism and to examine the emergence of the children’s robinsonade through the reception of eighteenth- and twenty-first-century audiences. In comparing the reception of early robinsonades and their narrative structures with the contemporary example of Madagascar: Escape 2 Africa, I aim to show the relation between the early reception of Defoe’s work and contemporary adaptations as parts of the didactic legacy of Robinson Crusoe.
References
Albrecht-Crane, C., and D. R. Cutchins. 2010. “Introduction: New Beginnings for Adaptation Studies.” Adaptation Studies: New Approaches, 11–24. Madison: Fairleigh Dickinson University Press.Suche in Google Scholar
Brereton, P. 2015. “Shipwrecks and Desert Islands: Ecology and Nature: A Case Study of How Reality TV and Fictional Films Frame Representations of Islands.” In Shipwreck and Island Motifs in Literature and the Arts, edited by B. Le Juez, and O. Springer, 281–302. Leiden: Rodopi.10.1163/9789004298750_020Suche in Google Scholar
Campe, J. H. 1779–80. Robinson der Jüngere: Zur Angenehmen und Nützlichen Unterhaltung für Kinder. Hamburg: Carl Bohn. https://www.loc.gov/item/2021666993 (accessed December 12, 2022).Suche in Google Scholar
Cutchins, D. R. 2017. “Bakhtin, Intertextuality, and Adaptation.” In The Oxford Handbook of Adaptation Studies, edited by T. M. Leitch, 71–86. Oxford: Oxford University Press.10.1093/oxfordhb/9780199331000.013.4Suche in Google Scholar
Darnell, E., and T. McGrath dir. 2008. Madagascar: Escape 2 Africa. United States: DreamWorks Animation and Paramount Pictures.10.1145/1400468.1400517Suche in Google Scholar
Defoe, D. [1719] 1994. Robinson Crusoe: An Authoritative Text, Contexts, Criticism, edited by M. Shinagel, 2nd ed. Norton Critical Edition. New York: Norton.Suche in Google Scholar
Dobrin, S. I. 2021. Blue Ecocriticism and the Oceanic Imperative. Abingdon: Routledge.10.4324/9780429456466Suche in Google Scholar
Emig, R. 2012. “Adaptation in Theory.” In Adaptation and Cultural Appropriation: Literature, Film, and the Arts, edited by P. Nicklas, and O. Lindner, 14–24. Berlin: De Gruyter.10.1515/9783110272239.14Suche in Google Scholar
Fisher, C. 2018. “Innovation and Imitation in the Eighteenth- Century Robinsonade.” In The Cambridge Companion to Robinson Crusoe, edited by J. J. Richetti, 99–111. Cambridge: Cambridge University Press.10.1017/9781107338586.008Suche in Google Scholar
Green, M. 1991. Seven Types of Adventure Tale: An Etiology of a Major Genre. Pennsylvania: State University Press.Suche in Google Scholar
Hamm, J.-J. 1996. “Caliban, Friday and Their Masters.” In Robinson Crusoe: Myths and Metamorphoses, edited by L. Spaas, and B. Stimpson, 110–26. Basingstoke: Macmillan.10.1007/978-1-349-13677-3_8Suche in Google Scholar
Holden, P., and R. R. Ruppel, eds. 2003. “Introduction.” In Imperial Desire: Dissident Sexualities and Colonial Literature, ix–xxvi. Minneapolis: University of Minnesota Press.Suche in Google Scholar
Hutcheon, L. 2006. A Theory of Adaptation. London: Routledge.10.4324/9780203957721Suche in Google Scholar
Kinane, I., ed. 2019. “Introduction.” In Didactics and the Modern Robinsonade: New Paradigms for Young Readers, 1–52. Liverpool: Liverpool University Press.10.3828/liverpool/9781789620047.003.0001Suche in Google Scholar
Leitch, T. M., ed. 2017. “Introduction.” The Oxford Handbook of Adaptation Studies, 1–22. Oxford: Oxford University Press.10.1093/oxfordhb/9780199331000.001.0001Suche in Google Scholar
Lobo, P. 2019. “Novel Subjects: Robinson Crusoe & Minecraft and the Production of Sovereign Selfhood.” Game Studies: The International Journal of Computer Game Research 19 (1), n.p.Suche in Google Scholar
Moriarty, S. 2019. “‘What a Crusoe Crowd We Shall Make!’: Destabilising Imperialist Attitudes to Space in G. Warren Payne’s Three Boys in Antartctica.” In Didactics and the Modern Robinsonade: New Paradigms for Young Readers, edited by I. Kinane, 53–72. Liverpool: Liverpool University Press.10.3828/liverpool/9781789620047.003.0002Suche in Google Scholar
Odendahl, W. 2017. “Robinson-Motive in Haushofers Die Wand. Kontrastive Analyse Einer Postapokalypse.” Zeitschrift für deutsche Philologie 136 (4): 581–613. https://doi.org/10.37307/j.1868-7806.2017.04.06.Suche in Google Scholar
O’Malley, A. 2012. Children’s Literature, Popular Culture, and Robinson Crusoe. New York: Palgrave Macmillan.10.1057/9781137027313Suche in Google Scholar
Robledo, S. J. 2008. Madagascar: Escape 2 Africa. Review. Commonsensemedia. https://www.commonsensemedia.org/movie-reviews/madagascar-escape-2-africa (accessed December 12, 2022).Suche in Google Scholar
Sanders, J. 2015. Adaptation and Appropriation. London: Routledge.10.4324/9781315737942Suche in Google Scholar
Stam, R. 2005. “Introduction: The Theory and Practice of Adaptation.” In Literature and Film: A Guide to the Theory and Practice of Film Adaptation, edited by R. Stam and A. Raengo, 1–52. Malden: Blackwell.10.1111/b.9780631230533.2004.xSuche in Google Scholar
Watt, I. 1996. Myths of Modern Individualism: Faust, Don Quixote, Don Juan, Robinson Crusoe. Cambridge: Cambridge University Press.10.1017/CBO9780511549236Suche in Google Scholar
Weaver-Hightower, R. 2007. Empire Islands: Castaways, Cannibals, and Fantasies of Conquest. Minneapolis: University of Minnesota Press.Suche in Google Scholar
Woodward, K. 2014. “Concepts of Difference and Identity.” Identity and Difference, 7–61. London: Sage.Suche in Google Scholar
Zupancic, P. 1976. Die Robinsonade in der Jugendliteratur. Dissertation. Bochum: Ruhr-Universität Bochum.Suche in Google Scholar
© 2023 Walter de Gruyter GmbH, Berlin/Boston
Artikel in diesem Heft
- Frontmatter
- Editorial
- Editorial
- Introduction
- Alongside – The Novel: New Approaches to Eighteenth-Century Fiction
- Articles
- Modern Novel Writing in the Eighteenth Century: ‘Classic’ and Later Perspectives
- György Lukács and the Eighteenth-Century Novel
- From Charlotte Smith to Jane Austen: The Evolution of the English Novel
- Bracketing Ephemera: Robert Paltock’s The Life and Adventures of Peter Wilkins and Eighteenth-Century Book Culture
- Spreading the Work: Introducing Eighteenth-Century ‘Derivatives’ in the Classroom
- Robinson Crusoe – But on Mars: Investigating Intertextuality in Andy Weir’s The Martian (2014)
- Novel Didactics? Defoe’s Legacy in the Contemporary Children’s Robinsonade
- Books Received
- Books Received
Artikel in diesem Heft
- Frontmatter
- Editorial
- Editorial
- Introduction
- Alongside – The Novel: New Approaches to Eighteenth-Century Fiction
- Articles
- Modern Novel Writing in the Eighteenth Century: ‘Classic’ and Later Perspectives
- György Lukács and the Eighteenth-Century Novel
- From Charlotte Smith to Jane Austen: The Evolution of the English Novel
- Bracketing Ephemera: Robert Paltock’s The Life and Adventures of Peter Wilkins and Eighteenth-Century Book Culture
- Spreading the Work: Introducing Eighteenth-Century ‘Derivatives’ in the Classroom
- Robinson Crusoe – But on Mars: Investigating Intertextuality in Andy Weir’s The Martian (2014)
- Novel Didactics? Defoe’s Legacy in the Contemporary Children’s Robinsonade
- Books Received
- Books Received