Weimar Wallace: Three Early German Screen Adaptations of Novels by Edgar Wallace (1931–1934)
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Eike Kronshage
Abstract
The article analyzes three little-known films from the early 1930s which are based on novels by British crime thriller writer Edgar Wallace. It presents the films and their genre as a case study for crime cinema and politics in the transition from the Weimar Republic to Nazi Germany by contextualizing them within the rapidly changing film market after January 1933. The series of popular Weimar Wallace films ended abruptly with Hitler’s rise to power, which also put a stop to most of the country’s transnational cinema practices, including film adaptations of novels which were then considered as un-German.
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©2019 Walter de Gruyter GmbH, Berlin/Boston
Artikel in diesem Heft
- Frontmatter
- Editorial
- Editorial
- Articles
- Challenging the Modern Subject in Joseph Conrad’s “The Planter of Malata”
- A Self-Made Man: Hard Times and the Dickensian Impostor
- Weimar Wallace: Three Early German Screen Adaptations of Novels by Edgar Wallace (1931–1934)
- Kazuo Ishiguro’s Authoritarian Narrators: An Artist of the Floating World, The Remains of the Day, Never Let Me Go, and the Authoritarian Personality
- Migrant Voices in the Polish Classroom: Canadian Literature on the Tertiary Level of Education
- “If you’re not already writing, stop!”: An Interview with Michael Tolkin
- Book Reviews
- Nation and Migration: The Making of British Atlantic Literature, 1765–1835
- Postblack Aesthetics: The Freedom to Be Black in Contemporary African American Fiction
- Ends of Assimilation: The Formation of Chicano Literature
- Writing the Environment in Nineteenth-Century American Literature: The Ecological Awareness of Early Scribes of Nature
- Books Received
- Table of Contents Vol. 67 (2019)
Artikel in diesem Heft
- Frontmatter
- Editorial
- Editorial
- Articles
- Challenging the Modern Subject in Joseph Conrad’s “The Planter of Malata”
- A Self-Made Man: Hard Times and the Dickensian Impostor
- Weimar Wallace: Three Early German Screen Adaptations of Novels by Edgar Wallace (1931–1934)
- Kazuo Ishiguro’s Authoritarian Narrators: An Artist of the Floating World, The Remains of the Day, Never Let Me Go, and the Authoritarian Personality
- Migrant Voices in the Polish Classroom: Canadian Literature on the Tertiary Level of Education
- “If you’re not already writing, stop!”: An Interview with Michael Tolkin
- Book Reviews
- Nation and Migration: The Making of British Atlantic Literature, 1765–1835
- Postblack Aesthetics: The Freedom to Be Black in Contemporary African American Fiction
- Ends of Assimilation: The Formation of Chicano Literature
- Writing the Environment in Nineteenth-Century American Literature: The Ecological Awareness of Early Scribes of Nature
- Books Received
- Table of Contents Vol. 67 (2019)
