Abstract
This essay examines how Kazuo Ishiguro’s narrators – namely, those of his novels An Artist of the Floating World, The Remains of the Day, and Never Let Me Go – are all variations of one central theme: the authoritarian personality. By drawing on the findings of the eponymous study by Theodor W. Adorno et al., it analyses the role of the narrators’ respective upbringings in the formation of their authoritarian predisposition as well as how their authoritarian tendencies later manifest themselves in their conduct. The way these tendencies – or the limitations imposed by them on the narrators’ imagination – also manifest themselves aesthetically in the narrative discourse further allows a comparison to Hannah Arendt’s analysis of Adolf Eichmann in Eichmann in Jerusalem: A Report on the Banality of Evil.
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©2019 Walter de Gruyter GmbH, Berlin/Boston
Articles in the same Issue
- Frontmatter
- Editorial
- Editorial
- Articles
- Challenging the Modern Subject in Joseph Conrad’s “The Planter of Malata”
- A Self-Made Man: Hard Times and the Dickensian Impostor
- Weimar Wallace: Three Early German Screen Adaptations of Novels by Edgar Wallace (1931–1934)
- Kazuo Ishiguro’s Authoritarian Narrators: An Artist of the Floating World, The Remains of the Day, Never Let Me Go, and the Authoritarian Personality
- Migrant Voices in the Polish Classroom: Canadian Literature on the Tertiary Level of Education
- “If you’re not already writing, stop!”: An Interview with Michael Tolkin
- Book Reviews
- Nation and Migration: The Making of British Atlantic Literature, 1765–1835
- Postblack Aesthetics: The Freedom to Be Black in Contemporary African American Fiction
- Ends of Assimilation: The Formation of Chicano Literature
- Writing the Environment in Nineteenth-Century American Literature: The Ecological Awareness of Early Scribes of Nature
- Books Received
- Table of Contents Vol. 67 (2019)
Articles in the same Issue
- Frontmatter
- Editorial
- Editorial
- Articles
- Challenging the Modern Subject in Joseph Conrad’s “The Planter of Malata”
- A Self-Made Man: Hard Times and the Dickensian Impostor
- Weimar Wallace: Three Early German Screen Adaptations of Novels by Edgar Wallace (1931–1934)
- Kazuo Ishiguro’s Authoritarian Narrators: An Artist of the Floating World, The Remains of the Day, Never Let Me Go, and the Authoritarian Personality
- Migrant Voices in the Polish Classroom: Canadian Literature on the Tertiary Level of Education
- “If you’re not already writing, stop!”: An Interview with Michael Tolkin
- Book Reviews
- Nation and Migration: The Making of British Atlantic Literature, 1765–1835
- Postblack Aesthetics: The Freedom to Be Black in Contemporary African American Fiction
- Ends of Assimilation: The Formation of Chicano Literature
- Writing the Environment in Nineteenth-Century American Literature: The Ecological Awareness of Early Scribes of Nature
- Books Received
- Table of Contents Vol. 67 (2019)