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1. INTRODUCTION: DEALING IN FUTURES

© 2014 transcript Verlag

© 2014 transcript Verlag

Chapters in this book

  1. Frontmatter 1
  2. CONTENT 5
  3. 1. INTRODUCTION: DEALING IN FUTURES 7
  4. 2. ARE YOU PARANOID ENOUGH? KATHRYN BIGELOW’S STRANGE DAYS AND THE POLITICS OF RISK AND SPECULATION 69
  5. 3. LIVE ON THE EDGE I SAY: EDGEWORK, RISK, AND LITERARY FORM IN KAREN TEI YAMASHITA’S TROPIC OF ORANGE 133
  6. 4. MONSTROUS POLITICS: EPISTEMOLOGICAL EMPOWERMENT, NATURAL SCIENCE, AND NEW TERRITORIES OF EMPIRE IN LARISSA LAI’S SALT FISH GIRL 203
  7. 5. TOWARDS A POETICS OF RISK AND SPECULATION 277
  8. 6. WORKS CITED 295
Restless Subjects in Rigid Systems
This chapter is in the book Restless Subjects in Rigid Systems
https://doi.org/10.1515/transcript.9783839424162.intro

Chapters in this book

  1. Frontmatter 1
  2. CONTENT 5
  3. 1. INTRODUCTION: DEALING IN FUTURES 7
  4. 2. ARE YOU PARANOID ENOUGH? KATHRYN BIGELOW’S STRANGE DAYS AND THE POLITICS OF RISK AND SPECULATION 69
  5. 3. LIVE ON THE EDGE I SAY: EDGEWORK, RISK, AND LITERARY FORM IN KAREN TEI YAMASHITA’S TROPIC OF ORANGE 133
  6. 4. MONSTROUS POLITICS: EPISTEMOLOGICAL EMPOWERMENT, NATURAL SCIENCE, AND NEW TERRITORIES OF EMPIRE IN LARISSA LAI’S SALT FISH GIRL 203
  7. 5. TOWARDS A POETICS OF RISK AND SPECULATION 277
  8. 6. WORKS CITED 295
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