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Epitaphioi mythoi and tragedy as encomium of Athens
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Johanna Hanink
Veröffentlicht/Copyright:
1. Dezember 2013
Abstract: Fourth-century Athenian orators of epitaphioi logoi and other Athenian panegyric attempt to portray fifth-century tragedy as fundamentally encomiastic of Athens. This is borne out by the rhetorical reception of two ‘epitaphioi mythoi’, i.e. myths handled by both tragedians and orators: Erechtheus’ repulsion of Eumolpus’ invasion of Athens and Theseus’ efforts to secure the burial of the ‘Seven against Thebes’. The orators’ ‘encomiastic’ view of tragedy marks a new departure in Athenian intellectual history and should be read against the background of other attempts to curate the city’s tragic heritage in the third quarter of the fourth century.
Published Online: 2013-12-01
Published in Print: 2013-12-01
© De Gruyter 2013
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Artikel in diesem Heft
- Titelseiten
- The “Norm of the Polyp,” the Alcmeonis and the Oracle of Amphiaraus
- Andromache Karanika Wedding and Performance in Homer: A View in the “Teichoskopia”
- A Scenario for Stesichorus’ Portrayal of the Monster Geryon in the Geryoneis
- Political Echoes in Euripides’ Heracles
- Epitaphioi mythoi and tragedy as encomium of Athens
- Longinus 36.3: The Faulty Colossus and Plato’s Phaedrus
- Horace on the Role of the Poetry’s Audience in the Literary Process
- List of Contributors
Artikel in diesem Heft
- Titelseiten
- The “Norm of the Polyp,” the Alcmeonis and the Oracle of Amphiaraus
- Andromache Karanika Wedding and Performance in Homer: A View in the “Teichoskopia”
- A Scenario for Stesichorus’ Portrayal of the Monster Geryon in the Geryoneis
- Political Echoes in Euripides’ Heracles
- Epitaphioi mythoi and tragedy as encomium of Athens
- Longinus 36.3: The Faulty Colossus and Plato’s Phaedrus
- Horace on the Role of the Poetry’s Audience in the Literary Process
- List of Contributors
