Abstract: My reading of Stesichorus’ Geryoneis in this article is that of a poem that presents a different idea of relations between settlers and settled-upons and one that accommodates change through the adjustments in the representation of the monster Geryon – a reflection of and reaction to colonial encounters with non-Greeks in the West, both in Himera (Stesichorus’ hometown and the furthest Western colony of Sicily) and in Spain, where the poet sets the myth and the site of a Greek emporion in the sixth century BCE.
Published Online: 2013-12-01
Published in Print: 2013-12-01
© De Gruyter 2013
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Articles in the same Issue
- Titelseiten
- The “Norm of the Polyp,” the Alcmeonis and the Oracle of Amphiaraus
- Andromache Karanika Wedding and Performance in Homer: A View in the “Teichoskopia”
- A Scenario for Stesichorus’ Portrayal of the Monster Geryon in the Geryoneis
- Political Echoes in Euripides’ Heracles
- Epitaphioi mythoi and tragedy as encomium of Athens
- Longinus 36.3: The Faulty Colossus and Plato’s Phaedrus
- Horace on the Role of the Poetry’s Audience in the Literary Process
- List of Contributors
Articles in the same Issue
- Titelseiten
- The “Norm of the Polyp,” the Alcmeonis and the Oracle of Amphiaraus
- Andromache Karanika Wedding and Performance in Homer: A View in the “Teichoskopia”
- A Scenario for Stesichorus’ Portrayal of the Monster Geryon in the Geryoneis
- Political Echoes in Euripides’ Heracles
- Epitaphioi mythoi and tragedy as encomium of Athens
- Longinus 36.3: The Faulty Colossus and Plato’s Phaedrus
- Horace on the Role of the Poetry’s Audience in the Literary Process
- List of Contributors