Abstract: Fourth-century Athenian orators of epitaphioi logoi and other Athenian panegyric attempt to portray fifth-century tragedy as fundamentally encomiastic of Athens. This is borne out by the rhetorical reception of two ‘epitaphioi mythoi’, i.e. myths handled by both tragedians and orators: Erechtheus’ repulsion of Eumolpus’ invasion of Athens and Theseus’ efforts to secure the burial of the ‘Seven against Thebes’. The orators’ ‘encomiastic’ view of tragedy marks a new departure in Athenian intellectual history and should be read against the background of other attempts to curate the city’s tragic heritage in the third quarter of the fourth century.
© De Gruyter 2013
Articles in the same Issue
- Titelseiten
- The “Norm of the Polyp,” the Alcmeonis and the Oracle of Amphiaraus
- Andromache Karanika Wedding and Performance in Homer: A View in the “Teichoskopia”
- A Scenario for Stesichorus’ Portrayal of the Monster Geryon in the Geryoneis
- Political Echoes in Euripides’ Heracles
- Epitaphioi mythoi and tragedy as encomium of Athens
- Longinus 36.3: The Faulty Colossus and Plato’s Phaedrus
- Horace on the Role of the Poetry’s Audience in the Literary Process
- List of Contributors
Articles in the same Issue
- Titelseiten
- The “Norm of the Polyp,” the Alcmeonis and the Oracle of Amphiaraus
- Andromache Karanika Wedding and Performance in Homer: A View in the “Teichoskopia”
- A Scenario for Stesichorus’ Portrayal of the Monster Geryon in the Geryoneis
- Political Echoes in Euripides’ Heracles
- Epitaphioi mythoi and tragedy as encomium of Athens
- Longinus 36.3: The Faulty Colossus and Plato’s Phaedrus
- Horace on the Role of the Poetry’s Audience in the Literary Process
- List of Contributors