Giambattista Vico’s open agenda of modernity

Artikel in diesem Heft

1. Semiotic systems of works of visual art: Signs, connotations, signals
2. Art — depression — fiction: A variation on René Thom’s three important kinds of human activity
3. Formes narratives de l’action et dangers de dérives en narratologie
4. Crossing borders: Towards a cognitive aesthetic approach to Caravaggio and Beckett
5. Iconicity, Ratosh’s lexical innovations, and beyond
6. What you should know to survive in knowledge societies: On a semiotic understanding of ‘knowledge’
7. Vers une théorie générale de la fiction
8. Back to ‘cinema is filmed theatre’
9. The dimensionality of notation
10. Learning by abduction: A geometrical interpretation
11. Political representation within the libidinal economy of a pictorial space: A political-semiotic reading of three propaganda posters of the Chinese Cultural Revolution
12. The semiotic stance
13. A semiotic study on the Transworld Skateboarding magazine
14. Serial form as entertainment and interpretative framework: Probability and the ‘black box’ of past experience
15. It took Spinoza and structuralism to teach Deleuze that meaning is not necessarily attributed to the cinematic sign
16. Making sense of the visual — is Google the seventh language?
17. Theatrical fictional worlds, counterfactuals, and scientific thought experiments
18. PTSD: A situated look at the semiotic process and role of individual umwelts in human existence/function
19. The semiotics of intercultural exchange: Ostensive definition and digital reason
20. De l’esprit, de la culture, et des signes
21. Le statut de la pulsion dans la sémiotique narrative morphodynamique
22. Une typologie des relations
23. Biology, semiotics, complexity: An experiment in interdisciplinarity
24. Sign values in processes of distinction: The concept of luxury
25. Analyse sémiotique de la webpublicite
26. On signing translation
27. Giambattista Vico’s open agenda of modernity