Abstract
Aiming to underline the link between storytelling content and ritual structure and to show how the building of community constitutes the meta-theme of storytelling in general and film narrative in particular, L. A. Alexander explores the notion of symbolic community and provides a detailed account of narrative (film) genres in terms of three parameters–their origin in a basic ritual, the cultural need they address, and the cultural function they fulfill–as well as sets of rules for the successful creation of fictional worlds. Though it does not pay much attention to such important narrational elements as distance, speed, and point of view, Alexander’s exploration sheds decisive light on the foundations, characteristics, and possibilities of fictional worlds represented in (film) narratives.
References
Bordwell, David. 2012. Poetics of cinema. New York: Routledge.10.4324/9780203941898Search in Google Scholar
Bordwell, David. 2013. Narration in the fiction film. New York: Routledge.10.4324/9781315002163Search in Google Scholar
Campbell, Joseph. 1949. The hero with a thousand faces. New York: Pantheon.Search in Google Scholar
Cohn, Dorrit. 1999. The distinction of fiction. Baltimore: Johns Hopkins University Press.Search in Google Scholar
Currie, Gregory. 1990. The nature of fiction. Cambridge: Cambridge University Press.10.1017/CBO9780511897498Search in Google Scholar
Doležel, Lubomír 2000. Heterocosmica: Fiction and possible worlds. Baltimore: Johns Hopkins University Press.Search in Google Scholar
Doležel, Lubomír. 2010. Possible worlds of fiction and history: The postmodern stage. Baltimore: Johns Hopkins University Press.10.1353/book.455Search in Google Scholar
Genette, Gérard. 1972. Figures III. Paris: Seuil.Search in Google Scholar
Greimas, Algirdas Julien. 1966. Sémantique structurale: recherche de méthode. Paris: Larousse.Search in Google Scholar
Greimas, Algirdas Julien.. 1970. Du sens: essais sémiotiques. Paris: Seuil.Search in Google Scholar
Lanser, Susan Sniader. 1981. The narrative act: Point of view in fiction. Princeton: Princeton University Press.Search in Google Scholar
Metz, Christian. 1968. Essais sur la signification au cinéma. Paris: Klincksieck.Search in Google Scholar
Metz, Christian. 1974. Langage et cinéma. The Hague: Mouton.Search in Google Scholar
Pavel, Thomas. 1986. Fictional worlds. Cambridge, MA: Harvard University Press.Search in Google Scholar
Prince, Gerald. 1999. Revisiting narrativity. In Walter Grünzweig & Andreas Solbach (eds.), Grenzüberschreitungen: Narratologie im Kontext/Transcending boundaries: Narratology in context, 43–51. Tübingen: Gunter Narr.Search in Google Scholar
Prince, Gerald. 2008. Narrativehood, narrativeness, narrativity, narratability. In John Pier & José Angel García Landa (eds.), Theorizing narrativity, 19–27. Berlin: Walter de Gruyter.Search in Google Scholar
Ronen, Ruth. 1994. Possible worlds in literary theory. Cambridge: Cambridge University Press.10.1017/CBO9780511597480Search in Google Scholar
Schmid, Wolf. 2003. Narrativity and eventfulness. In Tom Kindt & Hans-Harald Müller (eds.), What is narratology? Questions and answers regarding the status of a theory, 17–33. Berlin: Walter de Gruyter.Search in Google Scholar
Turner, Victor. 1969. The ritual process: Structure and anti-structure. Ithaca: Cornell University Press.Search in Google Scholar
Turner, Victor. 1975. Dramas, fields, and metaphors: Symbolic action in human society. Ithaca: Cornell University Press.Search in Google Scholar
Turner, Victor. 1982. From ritual to theater: The human seriousness of play. New York: PAJ.Search in Google Scholar
Van Gennep, Arnold. 1909. Les rites de passage. Paris: E. Nourry.Search in Google Scholar
Walsh, Richard. 2007. The rhetoric of fictionality: Narrative theater and the idea of fiction. Columbus: Ohio State University Press.Search in Google Scholar
Note
L. A. Alexander, Fictional worlds: Traditions in narrative and the age of visual culture. Brooklyn, NY: Storytelling on Screen, 2013.
©2016 by De Gruyter Mouton
Articles in the same Issue
- Frontmatter
- Anthropological-semiotics of rhythm and animating modernity in China: A rhythmanalysis of Princess Iron Fan
- Individuating in the dark: Diagrammatic reasoning and attentional shifts
- The free slave paradox
- Size and shape depictions in the manual modality: A taxonomy of iconic devices in Adamorobe Sign Language
- The thematic structure of homepages: An exploratory systemic-functional account
- Revisiting dynamic space in film from a semiotic perspective
- A semiotic analysis of anti-identity construction in fictional narratives from the viewpoint of modeling systems theory
- Rethinking semiotics: Toward a theory of intentional sign
- Two approaches to defining internal, external, and zero-focalization
- Zero sign duality in visual semiotics
- Conceptual embodiment in visual semiotics
- Reading palm-up signs: Neurosemiotic overview of a common hand gesture
- Does one truly need to belong?: A case for the need to meaningfully exist
- Review articles
- Review of Speaking hatefully: Culture, communication, and political action in Hungary
- Exploring stories
Articles in the same Issue
- Frontmatter
- Anthropological-semiotics of rhythm and animating modernity in China: A rhythmanalysis of Princess Iron Fan
- Individuating in the dark: Diagrammatic reasoning and attentional shifts
- The free slave paradox
- Size and shape depictions in the manual modality: A taxonomy of iconic devices in Adamorobe Sign Language
- The thematic structure of homepages: An exploratory systemic-functional account
- Revisiting dynamic space in film from a semiotic perspective
- A semiotic analysis of anti-identity construction in fictional narratives from the viewpoint of modeling systems theory
- Rethinking semiotics: Toward a theory of intentional sign
- Two approaches to defining internal, external, and zero-focalization
- Zero sign duality in visual semiotics
- Conceptual embodiment in visual semiotics
- Reading palm-up signs: Neurosemiotic overview of a common hand gesture
- Does one truly need to belong?: A case for the need to meaningfully exist
- Review articles
- Review of Speaking hatefully: Culture, communication, and political action in Hungary
- Exploring stories