Abstract
This paper presents a model of size and shape depiction in the manual modality, based on a micro-level analysis of the lexicon of Adamorobe Sign Language (Ghana). The model combines strong elements of previous models, such as a dyadic labeling system separating form and meaning as suggested in Taub (2001, Language from the body: Iconicity and metaphor in American Sign Language. Cambridge: Cambridge University Press), and the category of distance for size (Sowa and Wachsmuth 2003, Coverbal iconic gestures for object descriptions in virtual environments: An empirical study. In M. Rector, I. Poggi & N. Trigo (eds.), Gestures: Meaning and use, 365–376. Porto: Edicous Universidade Fernando Pessoa). It systematically describes depiction at the parameter level, viewing size and shape depiction as compositional in nature. The model is innovative in distinguishing two main categories for the expression of size and shape, i. e., shape for shape depiction, and distance for size depiction. The role of movement is seen as secondary to these two categories, and either signals extent (when combined with shape for shape depiction) or a change in it (when combined with distance for size depiction). Applying the model to a set of lexical data of Adamorobe Sign Language revealed the need for a new sub-category for distance for size depiction, i. e., of body-based distance for size depiction as found in so-called measure stick signs. Parameter-level analysis is indispensable for cross-linguistic comparisons. To this end, frequency data are presented as well.
Acknowledgments
I thank Els van der Kooij for inspiring discussions on this topic as well as for her valuable comments on an earlier version of this article. I also thank an anonymous reviewer for insightful feedback. As usual, any mistakes remain mine. This paper was written under the Veni-grant The role of hearing signers in the development of channel specific structures in sign languages of deaf communities (275–89–015), awarded by the Dutch Science Foundation (NWO).
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©2016 by De Gruyter Mouton
Articles in the same Issue
- Frontmatter
- Anthropological-semiotics of rhythm and animating modernity in China: A rhythmanalysis of Princess Iron Fan
- Individuating in the dark: Diagrammatic reasoning and attentional shifts
- The free slave paradox
- Size and shape depictions in the manual modality: A taxonomy of iconic devices in Adamorobe Sign Language
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Articles in the same Issue
- Frontmatter
- Anthropological-semiotics of rhythm and animating modernity in China: A rhythmanalysis of Princess Iron Fan
- Individuating in the dark: Diagrammatic reasoning and attentional shifts
- The free slave paradox
- Size and shape depictions in the manual modality: A taxonomy of iconic devices in Adamorobe Sign Language
- The thematic structure of homepages: An exploratory systemic-functional account
- Revisiting dynamic space in film from a semiotic perspective
- A semiotic analysis of anti-identity construction in fictional narratives from the viewpoint of modeling systems theory
- Rethinking semiotics: Toward a theory of intentional sign
- Two approaches to defining internal, external, and zero-focalization
- Zero sign duality in visual semiotics
- Conceptual embodiment in visual semiotics
- Reading palm-up signs: Neurosemiotic overview of a common hand gesture
- Does one truly need to belong?: A case for the need to meaningfully exist
- Review articles
- Review of Speaking hatefully: Culture, communication, and political action in Hungary
- Exploring stories