Minimal acting: On the existential gap between theatre and performance art
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Eli Rozik
Eli Rozik (b. 1932) is Professor Emeritus at Tel Aviv University 〈rozik@post.tau.ac.il〉. His research interests include. His publications include theatre semiotics, speech act theory, and non-verbal communication in theatre performance analysis. His publications includeThe fictional arts: An inter-art journey from theatre to the arts (2011);Comedy: A critical introduction (2011);Jewish drama and theatre: from rabbinical intolerance to secular liberalism (2013); andTheatre sciences: A plea for a multidisciplinary approach to theatre studies (2014).
Abstract
Following Richard Schechner, a current view is that the common denominator of theatre and performance art lies in their encounter of live performers and live spectators; i.e., in being subspecies of “performance.” That theatre is a performing art cannot be denied. However, I suggest here that (a) the category of “performance” is too abstract in order to learn anything about each of these artistic activities; (b) in contrast to performance art, the specific difference of theatre lies in the principle of “deflection of reference” that characterizes “acting”; and (c) this is not a matter of gradation, but of an existential gap.
About the author
Eli Rozik (b. 1932) is Professor Emeritus at Tel Aviv University 〈rozik@post.tau.ac.il〉. His research interests include. His publications include theatre semiotics, speech act theory, and non-verbal communication in theatre performance analysis. His publications include The fictional arts: An inter-art journey from theatre to the arts (2011); Comedy: A critical introduction (2011); Jewish drama and theatre: from rabbinical intolerance to secular liberalism (2013); and Theatre sciences: A plea for a multidisciplinary approach to theatre studies (2014).
©2014 by Walter de Gruyter Berlin/Munich/Boston
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Artikel in diesem Heft
- Frontmatter
- Semiotic degeneracy of social life: Prolegomenon to a human science of semiosis
- Heterosemiosis: Mixing sign systems in graphic narrative texts
- Do speakers really unconsciously and imagistically gesture about what is important when they are telling a story?
- On the institutional aspect of institutionalized and institutionalizing semiotics
- At the intersection of text and talk: On the reproduction and transformation of language in the multi-lingual evaluation of multi-lingual texts
- Cave paintings of the Early Stone Age: The early writings of modern man
- Revisiting legal terms: A semiotic perspective
- Two child narrators: Defamiliarization, empathy, and reader-response in Mark Haddon's The Curious Incident and Emma Donoghue's Room
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- Stopovers at logic and cybernetics: Georg Klaus's road to semiotics
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- Phytosemiotics revisited: Botanical behavior and sign transduction
- Review article
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