A semiotic model of visual change
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Robert M. Cantor
Robert M. Cantor (b. 1936) is a diagnostic radiologist (retired) 〈robert.m.cantor@gmail.com〉. His research interest is the semiotics of perception. His publications include “Foundations of Roentgen semiotics” (2000); “Formation of interpretants in Roentgen semiotics” (2011); and “Vision science: An empirical basis for Roentgen semiotics” (2012).
Abstract
In this study, we present a model of change in visual perception that is complimentary to a prior semiotic model of static visual perception. As in the previous study, a sign is defined to be a triadic relation that is derived from universal categories of thought, as first proposed by Charles S. Peirce. This semiotic model is based upon the empirical findings of Benjamin Libet in the neurophysiology of sensory awareness. He has shown that sensory awareness is a physiologically discontinuous process although it is experienced as a subjectively continuous process. Libet has demonstrated that, successive intervals of sensory awareness are separated by brief intervals of unconscious signal processing. We propose that this unconscious processing of sensory signals entails the formation of unconscious interpretants that mediate between successive intervals of sensory awareness. Furthermore, vision science provides empirical evidence that the formation of unconscious interpretants is governed by the Peircean categories of thought. On this basis, categorical typologies are proposed for both veridical and illusory visual change.
About the author
Robert M. Cantor (b. 1936) is a diagnostic radiologist (retired) 〈robert.m.cantor@gmail.com〉. His research interest is the semiotics of perception. His publications include “Foundations of Roentgen semiotics” (2000); “Formation of interpretants in Roentgen semiotics” (2011); and “Vision science: An empirical basis for Roentgen semiotics” (2012).
©2014 by Walter de Gruyter Berlin/Munich/Boston
Artikel in diesem Heft
- Frontmatter
- Semiotic degeneracy of social life: Prolegomenon to a human science of semiosis
- Heterosemiosis: Mixing sign systems in graphic narrative texts
- Do speakers really unconsciously and imagistically gesture about what is important when they are telling a story?
- On the institutional aspect of institutionalized and institutionalizing semiotics
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- Cave paintings of the Early Stone Age: The early writings of modern man
- Revisiting legal terms: A semiotic perspective
- Two child narrators: Defamiliarization, empathy, and reader-response in Mark Haddon's The Curious Incident and Emma Donoghue's Room
- The development of an idea in a context of rejection
- Stopovers at logic and cybernetics: Georg Klaus's road to semiotics
- The sign in Heidegger's Sein und Zeit
- The semiotic logic of signification of conspiracy theories
- Biopolitics, surveillance, and the subject of ADHD
- Signification in atonal, amotivic music? Extending the properties of actoriality in Ligeti's second string quartet
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- Teleological historical narrative as a strategy for constructing political antagonism: The example of the narrative of Estonia's regaining of independence
- Testing the limits of oral narration
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- Semiotics, theatre, and the body: The performative disjunctures between theory and praxis
- On Peirce's diagrammatic models for ten classes of signs
- Phytosemiotics revisited: Botanical behavior and sign transduction
- Review article
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Artikel in diesem Heft
- Frontmatter
- Semiotic degeneracy of social life: Prolegomenon to a human science of semiosis
- Heterosemiosis: Mixing sign systems in graphic narrative texts
- Do speakers really unconsciously and imagistically gesture about what is important when they are telling a story?
- On the institutional aspect of institutionalized and institutionalizing semiotics
- At the intersection of text and talk: On the reproduction and transformation of language in the multi-lingual evaluation of multi-lingual texts
- Cave paintings of the Early Stone Age: The early writings of modern man
- Revisiting legal terms: A semiotic perspective
- Two child narrators: Defamiliarization, empathy, and reader-response in Mark Haddon's The Curious Incident and Emma Donoghue's Room
- The development of an idea in a context of rejection
- Stopovers at logic and cybernetics: Georg Klaus's road to semiotics
- The sign in Heidegger's Sein und Zeit
- The semiotic logic of signification of conspiracy theories
- Biopolitics, surveillance, and the subject of ADHD
- Signification in atonal, amotivic music? Extending the properties of actoriality in Ligeti's second string quartet
- Translation, materiality, intersemioticity: Excursions in experimental literature
- Teleological historical narrative as a strategy for constructing political antagonism: The example of the narrative of Estonia's regaining of independence
- Testing the limits of oral narration
- How to do things with websites: Reconsidering Austin's perlocutionary act in online communication
- Fashionable yet strategic similarities: Diego Velázquez's creative consciousness seen through Saussurean-Hegelian composite approach
- Piaget's system of spatial logic: The semiosis of index
- The types of codes and their combinations: Visual perception and visual art
- Minimal acting: On the existential gap between theatre and performance art
- Visual semiotics and the national flag: A Kenyan perspective of Anglo-America's globe-cultural domination through mainstream music videos
- Dinner is ready! Studying the dynamics and semiotics of dinner
- Linking transculturality and transdisciplinarity
- Towards a semiotic theory of historico-cultural cycles: The semiotic contours of Spengler's “prime symbols”
- The taxicab-hailing encounter: The politics of gesture in the interaction order
- A semiotic model of visual change
- Semiotics, theatre, and the body: The performative disjunctures between theory and praxis
- On Peirce's diagrammatic models for ten classes of signs
- Phytosemiotics revisited: Botanical behavior and sign transduction
- Review article
- The dialogic lacuna in Fenves's Messianic Reduction: Walter Benjamin and the Shape of Time
