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        Introduction
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        Sémir Badir
        Sémir Badir (né en 1968) est maître de recherches du FNRS à l'Université de Liège. Ses intérêts principaux portent sur Hjelmslev, Saussure, l'épistémologie et la théorie sémiotique. Ses publications comprennentHjelmslev (2000);Saussure. La langue et sa représentation (2001);et Epistémologie sémiotique. La théorie du langage de Louis Hjelmslev (2014).
                            Published/Copyright:
                            
                                February 15, 2014
                            
                        
                    
                
            
  Published Online: 2014-2-15
 
 
  Published in Print: 2014-2-1
 
©2014 by Walter de Gruyter Berlin/Boston
                                        
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Articles in the same Issue
- Dimensions of zoosemiotics
- Frontmatter
- Dimensions of zoosemiotics: Introduction
- The semiome: From genetic to semiotic scaffolding
- Codes and coding: Sebeok's zoosemiotics and the dismantling of the fixed-code fallacy
- Zoosemiotics is the study of animal forms of knowing
- Zoo-aesthetics: A natural step after Darwin
- Curs, crabs, and cranky cows: Ethological and linguistic aspects of animal-based insults
- On zoosemiotics and bridging the value gap
- Umwelt or Umwelten? How should shared representation be understood given such diversity?
- Umwelt trajectories
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- From sign to action: Studies in chimpanzee pictorial competence
- Patterns and dynamics of (bird) soundscapes: A biosemiotic interpretation
- Observation ↔ Text/e ↔ Culture
- Introduction
- Culture, power, dictionaries: What lexicography reveals about cultural objects
- La culture comme objet
- La mémoire et l'événement: Les autobiographies intellectuelles au Brésil
- Human voice: Its meaning and textuality outside the verbal and the musical
- Des parcours interprétatifs à la réception des textes médiévaux
- Semiotic of pretext, semiotics of pre-text
- From text to culture through corpus: Interactivity as an argumentative keyword of contemporary cyberculture
- Le texte comme fragment culturel: Trois scénarios d'observation