Abstract
Black Sails is an historical drama written as a prequel to Treasure Island. It did this by weaving the history surrounding the Pirate Republic of New Providence Island around fiction to create a compelling narrative exploring the force and evils of law and empire, and the lengths that some will go to in order to resist and be free. This paper will examine Black Sails as a social discourse text in order to critique the impact and tyranny, yet inevitability, of the law, and how soft power is feminised but requires queerness to be effective.
Acknowledgments
I would like to thank Dr. Kobi Leins, Dr. LJ Maher, Prof. Gina Heathcote, Prof. Fleur Johns, Prof. William MacNeil, Associate Prof. Wayne Morgan, Joanne Stagg, and the anonymous reviewer for their insightful feedback. I’d like to thank Emma Genovese for her assistance in formatting and proofreading. All errors are my own.
© 2023 Walter de Gruyter GmbH, Berlin/Boston
Artikel in diesem Heft
- Frontmatter
- Editorial
- Introduction to the ‘The Spectral Nature of Intellectual Property’ Pólemos
- Focus
- The Spectre of the Machine: Finding Space for Empirical Inventions in Patent Law
- Copyright, Ghosts, Information
- Impossible Realities and Intellectual Property: Specters of Value in Amie Siegel’s Provenance
- The Emergence of Yoga-as-Property in American Law: The Haunting Presence of Commercial Logics from Swami Vivekananda to Bikram’s Hot Yoga
- Spectres of Intellectual Property in the Soviet Union: The Development and Recognition of the Inventor’s Certificate
- “A Name Which to Them is Sacred”: Quakers and Religious Trademarks in American Enterprise
- Schrödinger’s Rose: Indeterminacy and Contingent Futures in the Plant Variety Rights System of Aotearoa New Zealand
- Non-singular Logics of Intellectual Property in Biomedical Innovation
- Spectral Shadows in Scientific Practice: Unveiling the Haunting Effects of Authorship and Scientific Capital Accumulation
- Research
- Domination and Submission. From the Idea of ‘Legal Personality’ Back to the Metaphor of the ‘Mask’
- “The Whore That Lost Everything”: The Tyranny of Law and the Queer Feminisation of Soft Power as Explored in Black Sails
- Book Review
- Ian Ward: The Trials of Charles I
Artikel in diesem Heft
- Frontmatter
- Editorial
- Introduction to the ‘The Spectral Nature of Intellectual Property’ Pólemos
- Focus
- The Spectre of the Machine: Finding Space for Empirical Inventions in Patent Law
- Copyright, Ghosts, Information
- Impossible Realities and Intellectual Property: Specters of Value in Amie Siegel’s Provenance
- The Emergence of Yoga-as-Property in American Law: The Haunting Presence of Commercial Logics from Swami Vivekananda to Bikram’s Hot Yoga
- Spectres of Intellectual Property in the Soviet Union: The Development and Recognition of the Inventor’s Certificate
- “A Name Which to Them is Sacred”: Quakers and Religious Trademarks in American Enterprise
- Schrödinger’s Rose: Indeterminacy and Contingent Futures in the Plant Variety Rights System of Aotearoa New Zealand
- Non-singular Logics of Intellectual Property in Biomedical Innovation
- Spectral Shadows in Scientific Practice: Unveiling the Haunting Effects of Authorship and Scientific Capital Accumulation
- Research
- Domination and Submission. From the Idea of ‘Legal Personality’ Back to the Metaphor of the ‘Mask’
- “The Whore That Lost Everything”: The Tyranny of Law and the Queer Feminisation of Soft Power as Explored in Black Sails
- Book Review
- Ian Ward: The Trials of Charles I