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Caroline A. Jones: The Global Work of Art: World’s Fairs, Biennials, and the Aesthetics of Experience
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Marsha Meskimmon
Published/Copyright:
November 2, 2017
Published Online: 2017-11-2
Published in Print: 2017-12-20
© 2017 Walter de Gruyter GmbH, Berlin/Boston
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Articles in the same Issue
- Frontmatter
- Article
- Diversity and (In)equality in the Global Art World: Global Development and Structure of Field-Configuring Events
- Commentary
- The “Idea” of Universal History: What the Owl Heard, the Angel Saw, and the Idiot Said
- Reportage
- Once Again, They Have a Word for It: Greeks Talk about Our Global Age
- Documentation
- Biography and (Global) Microhistory
- Thinking Globally: Reassessing the Fields of Law, Politics and Economics in the US Academy
- Book Reviews
- Andrew Pettegree: The Invention of News: How the World Came to Know About Itself
- Caroline A. Jones: The Global Work of Art: World’s Fairs, Biennials, and the Aesthetics of Experience
- Stephen D. King: Grave New World: The End of Globalization, The Return of History
Articles in the same Issue
- Frontmatter
- Article
- Diversity and (In)equality in the Global Art World: Global Development and Structure of Field-Configuring Events
- Commentary
- The “Idea” of Universal History: What the Owl Heard, the Angel Saw, and the Idiot Said
- Reportage
- Once Again, They Have a Word for It: Greeks Talk about Our Global Age
- Documentation
- Biography and (Global) Microhistory
- Thinking Globally: Reassessing the Fields of Law, Politics and Economics in the US Academy
- Book Reviews
- Andrew Pettegree: The Invention of News: How the World Came to Know About Itself
- Caroline A. Jones: The Global Work of Art: World’s Fairs, Biennials, and the Aesthetics of Experience
- Stephen D. King: Grave New World: The End of Globalization, The Return of History
