Abstract
Danish television has been able to produce a remarkable number of successful primetime dramas over the last years from Forbrydelsen (The Killing, DR 2007-12) to Herrens Veje (Ride upon the Storm, DR 2017-). Many of them are Nordic Noir crime dramas, yet the list also includes political thrillers and family dramas. This article briefly summarizes main reasons for the prolific production environment at public service broadcaster Danmarks Radio (DR). Some of the exceptional circumstances of Danish television demonstrate why the relatively small country was able to produce shows that found devoted audiences around the world. While the DR production framework has received much attention, this article takes a closer look at narrative composition, issues of characterization and the presentation of themes. Analyzing the first episodes of Borgen (DR 2010-13) and Herrens Veje, the article proposes that it is specifically the combination of multiperspectivity of the leading protagonists and how their life is linked to wider cultural, social and political debates, that can be identified as one main outcome of the fruitful collaboration between DR and various creative personnel. While both shows adhere to the main characteristics of complex serial drama as identified by Jason Mittel and Trisha Dunleavy, there are also some noticeable differences, including their strong public service ethos, their unusual Danish settings, the avoidance of transgressive protagonists, character-centred storylines and their slow, indulgent pace.
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© 2019 Walter de Gruyter GmbH, Berlin/Boston
Artikel in diesem Heft
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- Michael Schulte:Urnordisch. Eine Einführung
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Artikel in diesem Heft
- Frontmatter
- Research Articles
- The Intertextuality of the Kragehul Spear-shaft Inscription
- „Den var ikke onkelagtig nok”. En empirisk undersøgelse af læserrespons på genresignaturer
- Roman som skuespill: Sjangerhybriditet i Erlend Loes Stille dager i Mixing Part
- Of Pregnancy and Dairy Cows: Entanglements of Materiality, Pregnancy and the Farmed Animal in Helena Granström’s ”Skördebrev”
- The Canonization of Translated Literature: A Historical Review on the Chinese Translations of H. C. Andersen’s Tales
- Novels – A Missing Piece in Electronic Literature? Johannes Heldén’s Astroecology Read as a Possible Bit
- Nordischer Klang
- Nordischer Klang 2018: Nordic Schwarz/Weiß. Krimiserien aus Skandinavien
- Icelandic Nature and Global Evils – Concepts of Nature in Romantic Poetry and Nordic Noir TV Series from Iceland
- Dunkle Welten: Kulturpessimismus in Bron/Broen Staffel II
- Narrative Complexity and Cultural Relevance in the Name of Public Service Broadcasting: The Cases of Borgen and Herrens Veje
- Foreign Influences on Nordic (Noir) Borderlands
- Reviews
- Jonas Wellendorf:Gods and Humans in Medieval Scandinavia. Retying the Bonds
- Hans Jacob Orning:The Reality of the Fantastic
- Michael Schulte:Urnordisch. Eine Einführung
- Ernst Håkon Jahr/Gudlaug Nedrelid/Marit Aamodt Nielsen:Språkhistorieskrivning og språkideologi. Eit utval norske språkhistorikarar
- Jakob Stougaard-Nielsen:Scandinavian Crime Fiction