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The dark side of EMI?: a telling case for questioning assumptions about EMI in HE

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Published/Copyright: March 3, 2022
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Abstract

The neoliberalisation of higher education (HE), which began in earnest about three decades ago, and the global spread of English, which began earlier, together have motivated an exponential increase in the number of universities worldwide offering English-medium instruction (EMI) as a key part of their internationalisation policies. EMI in HE is by now a much discussed and examined phenomenon; however, all too often research does not challenge certain assumptions about its existence. One assumption is that the introduction of EMI is an on-the-whole innocuous change in how HE courses are delivered, and that any negative side effects for the primary stakeholders, lecturers or students, are minimal. This paper takes a contrarian and critical view of EMI, highlighting its more problematic side. This is done to some extent through a short and selective discussion of relevant literature in the next section. However, the critique comes through most clearly in subsequent sections of the paper, in which interview data collected from an EMI lecturer at a university in Catalonia are examined. As will become clear, the perspective of this single informant, presented as a ‘telling case’ (Mitchell, John C. 1984. Typicality and the case study. In R. Ellen (ed.), Ethnographic research: A guide to general conduct, 237–241. London: Academic Press), is illuminating, as it highlights aspects of EMI that do not often appear in policy documents and research publications focussing on the topic.


Corresponding author: David Block, Departament d'Humanitats, ICREA, Universitat Pompeu Fabra, Barcelona, Spain, E-mail:

Award Identifier / Grant number: FFI2016-76383-P

Acknowledgments

I would like to thank Li Wei for his support, and John Gray, Guzman Mancho-Barés and an anonymous reviewer for their helpful comments on earlier drafts of this paper. Obviously, they are not in any way responsible for any deficiencies in the final product. This is a considerably extended version of a paper published in the proceedings of the AELFE-TAPP conference held in Villanova i Geltrú (Spain), 7–9 July 2021. That paper, and this one, are based on a plenary given by the author at that conference.

  1. Research funding: Data presented in this paper is from the project entitled ‘Towards an empirical assessment of the impact of English medium instruction at university: language learning, disciplinary knowledge and academic identities’ (ASSEMID). ASSEMID was funded by the Spanish Ministry of Economy, Industry and Competitiveness (El Ministerio de Economía, Industria y Competitividad – MINECO) (code FFI2016-76383-P) and ran from 30 December 2016 to 29 December 2019.

  2. Informed consent: Informed consent was obtained from all individuals included in this study.

  3. Ethical approval: The local Institutional Review Board deemed the study exempt from review.

  4. Author contributions: The author has accepted responsibility for the entire content of this manuscript and approved its submission.

  5. Competing interests: The author states no conflict of interest.

Appendix A: Stanzas in original version (Spanish)

Stanza 1: Getting started (09/09/17)

  1. mira primero te digo

  2. primero porqué entré en esto y yo luego lo que veo vale?

  3. entonces yo entré en esto porque

  4. te he dicho que voy a ser sincera

  5. porque nos vendieron la moto el vicerrectorado de profesorado

  6. he estado de lectora

  7. y ahora entonces llevo ya dos o tres

  8. creo que este es el tercer año de agregada interina vale?

  9. entonces nos dijeron en un momento dado que con esto

  10. cuando empezaron a plantearse lo de la docencia y todo no sé qué

  11. la [name of university] en Europa

  12. que nos iban a promocionar antes a los profesores lectores que diéramos docencia en inglés

  13. X del vicerrectorado

  14. tengo hasta los mails

  15. te lo puedo hasta

  16. entonces eso es mentira cochina {laughing}

  17. entonces esta asignatura

  18. esto fue justo en el cambio de la licenciatura

  19. o sea te hablo ya de hace tres o cuatro años creo

Stanza 2: A teaching experience (09/09/17)

  1. entonces yo venía de hacer con ellos el curso con unas súper preparaciones de prácticas de todo:

  2. así de meter actividades interactivas

  3. y ahí me puse yo a dar clase

  4. entonces claro tú vienes con todo esto

  5. llegas con todo súper bien montado

  6. sí sí voy a hacer todo súper interactivo

  7. y lo que me encuentro es que mi nivel de inglés es una porquería

  8. cuando me sube el cortisol que digo yo

  9. cuando me sube el nivel de estrés mi inglés hace así {makes a gesture of something slipping away}

  10. entonces claro porque yo no tengo experiencia hablando inglés

  11. o sea tengo mucha experiencia en inglés de leer de entender más o menos

  12. pero no de hablar

  13. entonces claro te puedes saber una clase en inglés

  14. y sí que te puedes poner a vomitar el contenido leyendo el Power Point

  15. pero es que no se trata de eso

  16. es que si tú sabes

  17. si tú vienes de dar una buena clase en castellano

  18. y sabes cómo tú puedes transmitir las emociones

  19. claro no

  20. ya no te digo transmitir las emociones en inglés

  21. te digo de tú estar cagado de miedo

  22. o sea porque yo lo que sentía literalmente era miedo

  23. entonces estaba dándoles la clase

  24. y claro empecé a tartamudear

  25. empiezas a ver que te atascas

  26. empiezas a ver que te estás poniendo cada vez más nerviosa cada vez que te atascas

  27. y era a estar a los cinco años casi de estar dando clase en inglés

  28. o sea volver al día uno

  29. o sea volví a mi vida estudiando inglés

Stanza 3: Student evaluations (08/10/18)

  1. entonces hay comentarios que son

  2. hay comentarios de gente de estos dos lados

  3. gente de los que están diciendo que

  4. la profesora no debería dar la asignatura en inglés

  5. porque no se le entiende bien

  6. este es el que sabe mucho inglés

  7. y el que se está haciendo así {grimaces}

  8. y luego está el otro de

  9. yo no soy capaz de seguir este contenido en inglés

  10. porqué es muy complejo

  11. entonces, ¿qué hago yo?

  12. tú qué harías?

Stanza 4: On the ‘system’ and work (08/10/18)

  1. el sistema te pide muchas cosas

  2. y algunas de ellas no son racionales

  3. no son para nada racionales

  4. y dices vale

  5. entras a cosas que realmente el cuerpo te está diciendo que no las hagas

  6. y te lo dice

  7. y te lo esta diciendo

  8. no hagas esto que no adquieres este:

  9. que lo estás haciendo arrastrado

  10. porqué resulta que eso vale un milipunto en la currículum

  11. que te tienen que valorar los del AQU para darte la no sé qué

  12. y estás arrastrándote todo el día o sea

  13. y al final hay muchas veces que llevas un desgaste

  14. que yo digo

  15. hay veces que

  16. es que hoy yo no me echo a dormir

  17. entro en coma directamente

  18. o sea es que no puedo

Stanza 5: Seeking recognition (08/10/18)

  1. esperas que se te reconozca

  2. porqué estás buscando el reconocimiento del sistema

  3. que a veces ese reconocimiento no llega

  4. y aún te vuelves más majara porqué dices

  5. encima esto para qué?

  6. que esto ya es cuando te mueres del todo no?

  7. cuando te estás buscando

  8. tú te das cuenta de que estás buscando reconocimiento

  9. o sea esto

  10. porqué yo he dado clases en inglés?

  11. porqué he estado buscando reconocimiento al sistema

  12. así de claro

  13. no porque a mí me aportara nada

  14. porque yo me complicaba la vida

  15. porque mi nivel de inglés no era el que a mí me permitía dar una clase de manera fluida

  16. y hacer todas esos conexiones que te explicaba antes

  17. por qué lo he hecho?

  18. porque me

  19. porque buscaba reconocimiento al sistema

  20. me lo ha dado?

  21. bueno pues al final he aprendido a hacerlo

  22. estoy contenta

  23. estoy satisfecha

Appendix B: Transcription conventions

Italics voicing oneself or another
{ } comments on a salient feature of the turn
? rising intonation

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Received: 2021-12-12
Accepted: 2022-01-16
Published Online: 2022-03-03
Published in Print: 2022-06-27

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