“Le Soleil”. Representation or Re-presentation?
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Katarzyna Kaczmarczyk
Abstract
The music of Grażyna Pstrokońska-Nawratil, in its composer’s premises, grows, above all, out of a fascination with the sea. This idea is realized, among others, by the musical piece Le soleil. It refers to three well-known paintings: Claude Monet’s Impression, soleil levant (Andante), Georges Seurat’s Un Dimanche a la Grande Jatte (Presto) and Vincent van Gogh’s Le chemin avec des cypress (Andante). Thus, the question arises regarding the relation between the paintings and the Polish composer’s music: Does this relation fit the category of ekphrasis, adapted by Siglind Bruhn from a theory of literature, to musical studies? To answer this question, the present study undertakes a search for quasi-painting structural features of Pstrokońska-Nawratil’s music in the context of the problem of musical space-time
© 2014 by Walter de Gruyter Berlin/Boston
Artikel in diesem Heft
- Front matter
- Global Semiotics: Bridging Different Civilizations —The 11th World Congress of IASS, Nanjing Normal University
- A Portrait of Professor Yiheng Zhao
- The Paradox of Translation
- Semiotics and Its Double-institutional Aspects: As Analyzing Methods and as Institutionalized Objects
- A Semiotic Perspective on the Language of Science
- The Theories of Value and Opposition Applied to Mathematics
- Zoomorphism: An Analytic Model for Drama Characters
- The Back of Mnemosyne A Cultural-semiotic Analysis of the Forgetting Mechanism of Culture
- “Le Soleil”. Representation or Re-presentation?
- An Analysis of Symbolized Character Images and Dual Discourses in Comic Novels
- Theoretical Models for the Rhetorical Analysis of Photomontage
- Demystification of an Ad Using Barthes’s Cultural Semiotics
- Introduction to the Special Section for Peircean Semiotics and His Philosophy of Inquiry
- Semiosis and Phase Transitions in Biology: a Peircean View
- Peirce on Wonder, Inquiry and the Semiotic Ubiquity of Surprise
- Semiotic Boundary Values, Spirit and Human Freedom
- Tartu Semiotics in 2012
- The Tartu Synthesis in Semiotics Today Viewed from America
- On Cognitive and Semiotic Functions of Shifters
- Pragmatical Aspects of Models of Sociocultural Space
- Sign Systems Studies and the Semiotic Journals of the World
- CogSem Notes IV
Artikel in diesem Heft
- Front matter
- Global Semiotics: Bridging Different Civilizations —The 11th World Congress of IASS, Nanjing Normal University
- A Portrait of Professor Yiheng Zhao
- The Paradox of Translation
- Semiotics and Its Double-institutional Aspects: As Analyzing Methods and as Institutionalized Objects
- A Semiotic Perspective on the Language of Science
- The Theories of Value and Opposition Applied to Mathematics
- Zoomorphism: An Analytic Model for Drama Characters
- The Back of Mnemosyne A Cultural-semiotic Analysis of the Forgetting Mechanism of Culture
- “Le Soleil”. Representation or Re-presentation?
- An Analysis of Symbolized Character Images and Dual Discourses in Comic Novels
- Theoretical Models for the Rhetorical Analysis of Photomontage
- Demystification of an Ad Using Barthes’s Cultural Semiotics
- Introduction to the Special Section for Peircean Semiotics and His Philosophy of Inquiry
- Semiosis and Phase Transitions in Biology: a Peircean View
- Peirce on Wonder, Inquiry and the Semiotic Ubiquity of Surprise
- Semiotic Boundary Values, Spirit and Human Freedom
- Tartu Semiotics in 2012
- The Tartu Synthesis in Semiotics Today Viewed from America
- On Cognitive and Semiotic Functions of Shifters
- Pragmatical Aspects of Models of Sociocultural Space
- Sign Systems Studies and the Semiotic Journals of the World
- CogSem Notes IV
