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Veröffentlicht/Copyright:
24. Dezember 2013
Published Online: 2013-12-24
Published in Print: 2009-09-01
© 2013 by Walter de Gruyter GmbH & Co.
Artikel in diesem Heft
- Masthead
- Contents
- Editorial Preface
- Non-Generic Viewpoints as a Method of Composition in Renaissance Paintings
- Toward a Cognitive Semiotics of the Visual Artwork — Elements of a grammar of intuition
- Geometry and Dynamics in the Art of Leonardo da Vinci
- Non-Genericity as an Invariant of the Readability of Pictures
- Eye Movements and Pictorial Space Perception: Studies of paintings from Francis Bacon and Piero della Francesca
- What Is Art?
- The Artification Hypothesis and Its Relevance to Cognitive Science, Evolutionary Aesthetics, and Neuroaesthetics
- Analyzing Image Schemas in Literature
- Backmatter
Artikel in diesem Heft
- Masthead
- Contents
- Editorial Preface
- Non-Generic Viewpoints as a Method of Composition in Renaissance Paintings
- Toward a Cognitive Semiotics of the Visual Artwork — Elements of a grammar of intuition
- Geometry and Dynamics in the Art of Leonardo da Vinci
- Non-Genericity as an Invariant of the Readability of Pictures
- Eye Movements and Pictorial Space Perception: Studies of paintings from Francis Bacon and Piero della Francesca
- What Is Art?
- The Artification Hypothesis and Its Relevance to Cognitive Science, Evolutionary Aesthetics, and Neuroaesthetics
- Analyzing Image Schemas in Literature
- Backmatter