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What Is Art?

A methodological framework for a pluridisciplinary investigation
Published/Copyright: December 24, 2013
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Cognitive Semiotics
From the journal Cognitive Semiotics Volume 5 Issue s1

Published Online: 2013-12-24
Published in Print: 2009-09-01

© 2013 by Walter de Gruyter GmbH & Co.

Articles in the same Issue

  1. Masthead
  2. Contents
  3. Editorial Preface
  4. Non-Generic Viewpoints as a Method of Composition in Renaissance Paintings
  5. Toward a Cognitive Semiotics of the Visual Artwork — Elements of a grammar of intuition
  6. Geometry and Dynamics in the Art of Leonardo da Vinci
  7. Non-Genericity as an Invariant of the Readability of Pictures
  8. Eye Movements and Pictorial Space Perception: Studies of paintings from Francis Bacon and Piero della Francesca
  9. What Is Art?
  10. The Artification Hypothesis and Its Relevance to Cognitive Science, Evolutionary Aesthetics, and Neuroaesthetics
  11. Analyzing Image Schemas in Literature
  12. Backmatter
https://doi.org/10.1515/cogsem.2009.5.fall2009.122

Articles in the same Issue

  1. Masthead
  2. Contents
  3. Editorial Preface
  4. Non-Generic Viewpoints as a Method of Composition in Renaissance Paintings
  5. Toward a Cognitive Semiotics of the Visual Artwork — Elements of a grammar of intuition
  6. Geometry and Dynamics in the Art of Leonardo da Vinci
  7. Non-Genericity as an Invariant of the Readability of Pictures
  8. Eye Movements and Pictorial Space Perception: Studies of paintings from Francis Bacon and Piero della Francesca
  9. What Is Art?
  10. The Artification Hypothesis and Its Relevance to Cognitive Science, Evolutionary Aesthetics, and Neuroaesthetics
  11. Analyzing Image Schemas in Literature
  12. Backmatter
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