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Darstellungen von Dora. Thomas Pynchons Gravity's Rainbow im Spannungsfeld von fiktionalen, historiographischen und erinnerungsbasierten Repräsentationen des Konzentrationslagers Mittelbau-Dora
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Luc Herman
Published/Copyright:
February 20, 2008
Abstract
The literature on representing the concentration camp complex of Mittelbau-Dora and the adjacent underground rocket factory Mittelwerke is so large that comprehensive approaches to the topic need a broad methodological framework. We propose a model that distinguishes between fictional, historiographical, and what we tentatively term “traumatographical” modes of writing on the subject. Focusing on the Dora-related passages in Thomas Pynchon's Gravity's Rainbow (1973), we show that privileging one of these modes at the cost of the others leads to a one-sided depiction of the historical referent. Every individual representation should therefore situate itself in relation to the other two modes of representation.
Published Online: 2008-02-20
Published in Print: 2004-11-19
© Walter de Gruyter
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Articles in the same Issue
- Adressen der Mitarbeiter
- Introduction. Framing Contingency: History and Heterology
- Framing the Frame: Contingency, Connection and Divestiture in Literary History and Criticism
- Naming and Contingency, and Some Implications for Begriffsgeschichte
- About Artful Production of Contingency
- Zufälligkeitssinn. Adalbert Stifters Umgang mit der Kontingenz
- Subjective Contingency and Autobiographical Writing
- Counter-Memory and Phantasma
- La Panique Historique. History Encountering Contingency
- History as Effects of Power
- Neutralizing Contingency: Ammianus Marcellinus as a Participant in Julian's Persian Campaign, 363 AD
- “Der Einbruch der Zeit in das Spiel”: Hamlet from Berlin (East)
- “Bridge to Antiquity“. Nostalgia, Exile, and Stoicism in the Poetry of Durs Grünbein
- OΔYΣΣEYΣ OYTIΣ: Odysseus Nobody
- Darstellungen von Dora. Thomas Pynchons Gravity's Rainbow im Spannungsfeld von fiktionalen, historiographischen und erinnerungsbasierten Repräsentationen des Konzentrationslagers Mittelbau-Dora
- Die erlebte Rede als temporales Phänomen
- Rezensionen
