Home Literary Studies Framing the Frame: Contingency, Connection and Divestiture in Literary History and Criticism
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Framing the Frame: Contingency, Connection and Divestiture in Literary History and Criticism

  • Reingard Nethersole
Published/Copyright: February 20, 2008
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arcadia
From the journal Volume 39 Issue 2

Abstract

Set against a horizon of post-modern rejection of the modern illusion of necessity, permanence, and universal knowledge, the essay deconstructs the notion of “framing contingency”. Understanding contingency as chance or randomness that ruptures temporal order within the circumference of any given ‘frame’ of intelligibility, the paper argues that the current popular term ‘framing’, in place of Hegel's domestication of time as necessary true historical unfolding, together with Kant's analytic aesthetic judgement, signals profound paradigm shifts in criticism that are attendant on divestiture in Hegelian inspired literary history, while positing anew the question of how to connect literary expressions past and present.

Published Online: 2008-02-20
Published in Print: 2004-11-19

© Walter de Gruyter

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